The Red Glutton: With the German Army at the FrontCobb, Irvin S. (Irvin Shrewsbury)
History
The Red Glutton: With the German Army at the Front
Cobb, Irvin S. (Irvin Shrewsbury)
World War, 1914-1918 -- Campaigns -- Western Front; World War, 1914-1918 -- Personal narratives
Let me, if I can, draw two pictures--one of this German outpost town,
and the other of the things that might be seen four or five miles
distant over the border.
I have been told that, in the first flurry of the breaking out of the
World-War, Aix was not placid. It went spy-mad, just as all Europe went
spy-mad--a mania from which this Continent has not entirely recovered
by any means. There was a great rounding up of suspected aliens.
Every loyal citizen resolved himself or herself into a self-appointed
policeman, to watch the movements of those suspected of being
disloyal. Also, they tell me, when the magic mobilization began and
troops poured through without ceasing for four days and four nights,
and fighting broke out just the other side of the Belgian customhouse,
on the main high road to Liège, there was excitement. But all that was
over long before we came.
The war has gone onward, down into France; and all the people know
is what the official bulletins tell them; in fact, I think they must
know less about operations and results than our own people in America.
I know not what the opportunity of the spectator may have been with
regard to other wars, but certainly in this war it is true that the
nearer you get to it the less you understand of its scope.
All about you, on every side, is a screen of secrecy. Once in a while
it parts for a moment, and through the rift you catch a glimpse of
the movement of armies and the swing and sweep of campaigns. Then the
curtain closes and again you are shut in.
Let me put the case in another way: It is as though we who are at the
front, or close to it, stand before a mighty painting, but with our
noses almost touching the canvas. You who are farther away see the
whole picture. We, for the moment, see only so much of it as you might
cover with your two hands; but this advantage we do have--that we see
the brush strokes, the color shadings, the infinite small detail,
whereas you view its wider effects.
And then, having seen it, when we try to put our story into words--when
we try to set down on paper the unspeakable horror of it--we realize
what a futile, incomplete thing the English language is.
This present day in Aix-la-Chapelle will be, I assume, much like all
the other days I have spent here. An hour ago small official bulletins,
sanctioned by the Berlin War Office, were posted in the windows of
the shops and on the front of the public buildings; and small groups
gathered before them to read the news.
If it was good news they took it calmly. If it was not so good, still
they took it calmly. If it was outright bad news I think they would
still take it calmly. For, come good or evil, they are all possessed
now with the belief that, in the long run, Germany must win. Their
confidence is supreme.
Public-domain text, read in full here on John Shaqi.
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