French fiction -- Translations into English; Historical fiction
"There! that is what I listened to all day long last year," said
the banker's wife. "It made me jump in my chair and rasped my nerves
dreadfully. But, strange to say, poor Taillefer, though he suffers
untold agony, is in no danger of dying. He eats and drinks as well as
ever during even short cessations of the pain--nature is so queer!
A German doctor told him it was a form of gout in the head, and that
agrees with Brousson's opinion."
I left the group around the mistress of the house and went away. On
the staircase I met Mademoiselle Taillefer, whom a footman had come to
fetch.
"Oh!" she said to me, weeping, "what has my poor father ever done to
deserve such suffering?--so kind as he is!"
I accompanied her downstairs and assisted her in getting into the
carriage, and there I saw her father bent almost double.
Mademoiselle Taillefer tried to stifle his moans by putting her
handkerchief to his mouth; unhappily he saw me; his face became even
more distorted, a convulsive cry rent the air, and he gave me a dreadful
look as the carriage rolled away.
That dinner, that evening exercised a cruel influence on my life and on
my feelings. I loved Mademoiselle Taillefer, precisely, perhaps, because
honor and decency forbade me to marry the daughter of a murderer,
however good a husband and father he might be. A curious fatality
impelled me to visit those houses where I knew I could meet Victorine;
often, after giving myself my word of honor to renounce the happiness
of seeing her, I found myself that same evening beside her. My struggles
were great. Legitimate love, full of chimerical remorse, assumed the
color of a criminal passion. I despised myself for bowing to Taillefer
when, by chance, he accompanied his daughter, but I bowed to him all the
same.
Alas! for my misfortune Victorine is not only a pretty girl, she is
also educated, intelligent, full of talent and of charm, without the
slightest pedantry or the faintest tinge of assumption. She converses
with reserve, and her nature has a melancholy grace which no one can
resist. She loves me, or at least she lets me think so; she has a
certain smile which she keeps for me alone; for me, her voice grows
softer still. Oh, yes! she loves me! But she adores her father; she
tells me of his kindness, his gentleness, his excellent qualities. Those
praises are so many dagger-thrusts with which she stabs me to the heart.
Public-domain text, read in full here on John Shaqi.
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