The Red Light of Mars; or, A Day in the Life of the Devil: A Philosophical ComedyBronson-Howard, George
Philosophy
The Red Light of Mars; or, A Day in the Life of the Devil: A Philosophical Comedy
Bronson-Howard, George
Devil -- Drama; Long Island (N.Y.) -- Drama
Produced by MFR, Les Galloway and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)
Transcriber’s Notes
Obvious typographical errors have been silently corrected, but repeated
unconventional punctuation and accents remain.
Italics are represented thus _italic_.
THE MODERN DRAMA SERIES
EDITED BY EDWIN BJÖRKMAN
THE RED LIGHT OF MARS
GEORGE BRONSON-HOWARD
THE RED LIGHT OF MARS
OR
A DAY IN THE LIFE OF THE DEVIL
A PHILOSOPHICAL COMEDY BY
GEORGE BRONSON-HOWARD
[Illustration]
NEW YORK
MITCHELL KENNERLEY
MCMXIII
COPYRIGHT 1913 THE JOHN W. RUMSEY CO.
COPYRIGHT 1913 MITCHELL KENNERLEY
THE·PLIMPTON·PRESS
NORWOOD·MASS·U·S·A
CONTENTS
PAGE
INTRODUCTION vii
LIST OF PLAYS BY GEORGE BRONSON-HOWARD x
THE RED LIGHT OF MARS 1
INTRODUCTION
There is to me something typically American about the life-story
leading up to the play contained in this volume—a story in which the
creation and publication of that play will undoubtedly represent only
a temporary climax. I want to tell it, not only as a curiosity, but
as something that has genuine significance to the world of letters.
The meaning of this story, read in conjunction with the work that
has grown out of it, is that the time when books were bred by books
only is about gone now. The new literature will come straight out of
life, apparently, and will in consequence have made a decided gain,
even though it may have lost something else. As it springs forth,
full-blooded and ready-tongued, we shall undoubtedly hear melancholy
voices proclaim the _vulgarization_ of poetry. But if, on hearing such
protests rising from some anæmic scholar’s cloistered cell, we look
back through the ages and fix our gaze not only on the little followers
but on the great leaders—on the Dantes and Shakespeares and Cervanteses
and Molières—then we shall find that almost always the term of
opprobrium quoted above has implied a _vitalization_ of the supposedly
menaced art form.
Public-domain text, read in full here on John Shaqi.
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