France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
M. Daniel Salomon observed that the fine mask about which Duviquet
talked, the plaster cast taken from the inanimate face of the Emperor,
and brought to Europe by Dr. Antommarchi, had been moulded in bronze and
sold by subscription for the first time in 1833, under Louis Philippe,
and had then inspired surprise and mistrust. People suspected the
Italian chemist, who was a sort of buffoon, always talkative and
famished, of having tried to make fun of people. Disciples of Dr. Gall,
whose system was then in favor, regarded the mask as suspicious. They
did not find in it the bumps of genius; and the forehead, examined in
accordance with the master's theories, presented nothing remarkable in
its formation.
"Precisely," said Princess Seniavine. "Napoleon was remarkable only for
having kicked Volney in the stomach and stealing a snuffbox ornamented
with diamonds. Monsieur Garain has just taught us."
"And yet," said Madame Martin, "nobody is sure that he kicked Volney."
"Everything becomes known in the end," replied the Princess, gayly.
"Napoleon did nothing at all. He did not even kick Volney, and his head
was that of an idiot."
General Lariviere felt that he should say something. He hurled this
phrase:
"Napoleon--his campaign of 1813 is much discussed."
The General wished to please Garain, and he had no other idea. However,
he succeeded, after an effort, in formulating a judgment:
"Napoleon committed faults; in his situation he should not have committed
any." And he stopped abruptly, very red.
Madame Martin asked:
"And you, Monsieur Vence, what do you think of Napoleon?"
"Madame, I have not much love for sword-bearers, and conquerors seem to
me to be dangerous fools. But in spite of everything, that figure of the
Emperor interests me as it interests the public. I find character and
life in it. There is no poem or novel that is worth the Memoirs of Saint
Helena, although it is written in ridiculous fashion. What I think of
Napoleon, if you wish to know, is that, made for glory, he had the
brilliant simplicity of the hero of an epic poem. A hero must be human.
Napoleon was human."
"Oh, oh!" every one exclaimed.
But Paul Vence continued:
Public-domain text, read in full here on John Shaqi.
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