France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
The nymphs of the tapestries smiled vainly in their faded beauty at the
guests, who did not see them.
Madame Martin served the coffee with her young cousin, Madame Belleme de
Saint-Nom. She complimented Paul Vence on what he had said at the table.
"You talked of Napoleon with a freedom of mind that is rare in the
conversations I hear. I have noticed that children, when they are
handsome, look, when they pout, like Napoleon at Waterloo. You have made
me feel the profound reasons for this similarity."
Then, turning toward Dechartre:
"Do you like Napoleon?"
"Madame, I do not like the Revolution. And Napoleon is the Revolution in
boots."
"Monsieur Dechartre, why did you not say this at dinner? But I see you
prefer to be witty only in tete-a-tetes."
Count Martin-Belleme escorted the men to the smoking-room. Paul Vence
alone remained with the women. Princess Seniavine asked him if he had
finished his novel, and what was the subject of it. It was a study in
which he tried to reach the truth through a series of plausible
conditions.
"Thus," he said, "the novel acquires a moral force which history, in its
heavy frivolity, never had."
She inquired whether the book was written for women. He said it was not.
"You are wrong, Monsieur Vence, not to write for women. A superior man
can do nothing else for them."
He wished to know what gave her that idea.
"Because I see that all the intelligent women love fools."
"Who bore them."
"Certainly! But superior men would weary them more. They would have
more resources to employ in boring them. But tell me the subject of your
novel."
"Do you insist?"
"Oh, I insist upon nothing."
"Well, I will tell you. It is a study of popular manners; the history of
a young workman, sober and chaste, as handsome as a girl, with the mind
of a virgin, a sensitive soul. He is a carver, and works well. At
night, near his mother, whom he loves, he studies, he reads books. In
his mind, simple and receptive, ideas lodge themselves like bullets in a
wall. He has no desires. He has neither the passions nor the vices that
attach us to life. He is solitary and pure. Endowed with strong
virtues, he becomes conceited. He lives among miserable people. He sees
suffering. He has devotion without humanity. He has that sort of cold
charity which is called altruism. He is not human because he is not
sensual."
"Oh! One must be sensual to be human?"
"Certainly, Madame. True pity, like tenderness, comes from the heart.
He is not intelligent enough to doubt. He believes what he has read.
And he has read that to establish universal happiness society must be
destroyed. Thirst for martyrdom devours him. One morning, having kissed
his mother, he goes out; he watches for the socialist deputy of his
district, sees him, throws himself on him, and buries a poniard in his
breast. Long live anarchy! He is arrested, measured, photographed,
questioned, judged, condemned to death, and guillotined. That is my
novel."
Public-domain text, read in full here on John Shaqi.
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