France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
Opposite the Greek lantern of the Musee des Religions she found the soil
disturbed by workmen. There were paving-stones crossed by a bridge made
of a narrow flexible plank. She had stepped on it, when she saw at the
other end, in front of her, a man who was waiting for her. He recognized
her and bowed. It was Dechartre. She saw that he was happy to meet her;
she thanked him with a smile. He asked her permission to walk a few
steps with her, and they entered into the large and airy space. In this
place the tall houses, set somewhat back, efface themselves, and reveal a
glimpse of the sky.
He told her that he had recognized her from a distance by the rhythm of
her figure and her movements, which were hers exclusively.
"Graceful movements," he added, "are like music for the eyes."
She replied that she liked to walk; it was her pleasure, and the cause of
her good health.
He, too, liked to walk in populous towns and beautiful fields. The
mystery of highways tempted him. He liked to travel. Although voyages
had become common and easy, they retained for him their powerful charm.
He had seen golden days and crystalline nights, Greece, Egypt, and the
Bosporus; but it was to Italy that he returned always, as to the mother
country of his mind.
"I shall go there next week," he said. "I long to see again Ravenna
asleep among the black pines of its sterile shore. Have you seen
Ravenna, Madame? It is an enchanted tomb where sparkling phantoms appear.
The magic of death lies there. The mosaic works of Saint Vitale, with
their barbarous angels and their aureolated empresses, make one feel the
monstrous delights of the Orient. Despoiled to-day of its silver lamels,
the grave of Galla Placidia is frightful under its crypt, luminous yet
gloomy. When one looks through an opening in the sarcophagus, it seems
as if one saw the daughter of Theodosius, seated on her golden chair,
erect in her gown studded with stones and embroidered with scenes from
the Old Testament; her beautiful, cruel face preserved hard and black
with aromatic plants, and her ebony hands immovable on her knees. For
thirteen centuries she retained this funereal majesty, until one day a
child passed a candle through the opening of the grave and burned the
body."
Madame Martin-Belleme asked what that dead woman, so obstinate in her
conceit, had done during her life.
"Twice a slave," said Dechartre, "she became twice an empress."
"She must have been beautiful," said Madame Martin. "You have made me
see her too vividly in her tomb. She frightens me. Shall you go to
Venice, Monsieur Dechartre? Or are you tired of gondolas, of canals
bordered by palaces, and of the pigeons of Saint Mark? I confess that
I still like Venice, after being there three times."
He said she was right. He, too, liked Venice.
Whenever he went there, from a sculptor he became a painter, and made
studies. He would like to paint its atmosphere.
Public-domain text, read in full here on John Shaqi.
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