France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
"I think that Monsieur Choulette is coming."
He was walking along the quay, limping, with his hat on the back of his
head, his beard unkempt, and dragging an old carpet-bag. He was almost
repulsive; yet, in spite of his fifty years of age, he looked young, so
clear and lustrous were his eyes, so much ingenuous audacity had been
retained in his yellow, hollow face, so vividly did this old man express
the eternal adolescence of the poet and artist. When she saw him,
Therese regretted having invited so strange a companion. He walked
along, throwing a hasty glance into every carriage--a glance which,
little by little, became sullen and distrustful. But when he recognized
Madame Martin, he smiled so sweetly and said good-morning to her in so
caressing a voice that nothing was left of the ferocious old vagabond
walking on the quay, nothing except the old carpet-bag, the handles of
which were half broken.
He placed it in the rack with great care, among the elegant bags
enveloped with gray cloth, beside which it looked conspicuously sordid.
It was studded with yellow flowers on a blood-colored background.
He was soon perfectly at ease, and complimented Madame Martin on the
elegance of her travelling attire.
"Excuse me, ladies," he added, "I was afraid I should be late. I went to
six o'clock mass at Saint Severin, my parish, in the Virgin Chapel, under
those pretty, but absurd columns that point toward heaven though frail as
reeds-like us, poor sinners that we are."
"Ah," said Madame Martin, "you are pious to-day."
And she asked him whether he wore the cordon of the order which he was
founding. He assumed a grave and penitent air.
"I am afraid, Madame, that Monsieur Paul Vence has told you many absurd
stories about me. I have heard that he goes about circulating rumors
that my ribbon is a bell-rope--and of what a bell! I should be pained if
anybody believed so wretched a story. My ribbon, Madame, is a symbolical
ribbon. It is represented by a simple thread, which one wears under
one's clothes after a pauper has touched it, as a sign that poverty is
holy, and that it will save the world. There is nothing good except in
poverty; and since I have received the price of Les Blandices, I feel
that I am unjust and harsh. It is a good thing that I have placed in my
bag several of these mystic ribbons."
And, pointing to the horrible carpet-bag:
"I have also placed in it a host which a bad priest gave to me, the works
of Monsieur de Maistre, shirts, and several other things:"
Madame Martin lifted her eyebrows, a little ill at ease. But the good
Madame Marmet retained her habitual placidity.
Public-domain text, read in full here on John Shaqi.
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