France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
They returned to Fiesole by the steam tramway which goes up the hill.
The rain fell. Madame Marmet went to sleep and Choulette complained.
All his ills came to attack him at once: the humidity in the air gave him
a pain in the knee, and he could not bend his leg; his carpet-bag, lost
the day before in the trip from the station to Fiesole, had not been
found, and it was an irreparable disaster; a Paris review had just
published one of his poems, with typographical errors as glaring as
Aphrodite's shell.
He accused men and things of being hostile to him. He became puerile,
absurd, odious. Madame Martin, whom Choulette and the rain saddened,
thought the trip would never end. When she reached the house she found
Miss Bell in the drawing-room, copying with gold ink on a leaf of
parchment, in a handwriting formed after the Aldine italics, verses which
she had composed in the night. At her friend's coming she raised her
little face, plain but illuminated by splendid eyes.
"Darling, permit me to introduce to you the Prince Albertinelli."
The Prince possessed a certain youthful, godlike beauty, that his black
beard intensified. He bowed.
"Madame, you would make one love France, if that sentiment were not
already in our hearts."
The Countess and Choulette asked Miss Bell to read to them the verses she
was writing. She excused herself from reciting her uncertain cadence to
the French poet, whom she liked best after Francois Villon. Then she
recited in her pretty, hissing, birdlike voice.
"That is very pretty," said Choulette, "and bears the mark of Italy
softly veiled by the mists of Thule."
"Yes," said the Countess Martin, "that is pretty. But why, dear Vivian,
did your two beautiful innocents wish to die?"
"Oh, darling, because they felt as happy as possible, and desired nothing
more. It was discouraging, darling, discouraging. How is it that you do
not understand that?"
"And do you think that if we live the reason is that we hope?"
"Oh, yes. We live in the hope of what to-morrow, tomorrow, king of the
land of fairies, will bring in his black mantle studded with stars,
flowers, and tears. Oh, bright king, To-morrow!"
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