France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
Little by little the room filled with a brilliant crowd. Within the
large circle of armchairs were Madame de Wesson, about whom people told
frightful stories, and who kept, after twenty years of half-smothered
scandal, the eyes of a child and cheeks of virginal smoothness; old
Madame de Morlaine, who shouted her witty phrases in piercing cries;
Madame Raymond, the wife of the Academician; Madame Garain, the wife of
the exminister; three other ladies; and, standing easily against the
mantelpiece, M. Berthier d'Eyzelles, editor of the 'Journal des Debats',
a deputy who caressed his white beard while Madame de Morlaine shouted at
him:
"Your article on bimetallism is a pearl, a jewel! Especially the end of
it."
Standing in the rear of the room, young clubmen, very grave, lisped among
themselves:
"What did he do to get the button from the Prince?"
"He, nothing. His wife, everything."
They had their own cynical philosophy. One of them had no faith in
promises of men.
"They are types that do not suit me. They wear their hearts on their
hands and on their mouths. You present yourself for admission to a club.
They say, 'I promise to give you a white ball. It will be an alabaster
ball--a snowball! They vote. It's a black ball. Life seems a vile
affair when I think of it."
"Then don't think of it."
Daniel Salomon, who had joined them, whispered in their ears spicy
stories in a lowered voice. And at every strange revelation concerning
Madame Raymond, or Madame Berthier, or Princess Seniavine, he added,
negligently:
"Everybody knows it."
Then, little by little, the crowd of visitors dispersed. Only Madame
Marmet and Paul Vence remained.
The latter went toward Madame Martin, and asked:
"When do you wish me to introduce Dechartre to you?"
It was the second time he had asked this of her. She did not like to see
new faces. She replied, unconcernedly:
"Your sculptor? When you wish. I saw at the Champ de Mars medallions
made by him which are very good. But he does not work much. He is an
amateur, is he not?"
"He is a delicate artist. He does not need to work in order to live.
He caresses his figures with loving slowness. But do not be deceived
about him, Madame. He knows and he feels. He would be a master if he
did not live alone. I have known him since his childhood. People think
that he is solitary and morose. He is passionate and timid. What he
lacks, what he will lack always to reach the highest point of his art,
is simplicity of mind. He is restless, and he spoils his most beautiful
impressions. In my opinion he was created less for sculpture than for
poetry or philosophy. He knows a great deal, and you will be astonished
at the wealth of his mind."
Madame Marmet approved.
Public-domain text, read in full here on John Shaqi.
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