There were two big mirrors in the room, each with a pair of sconces
bearing candles, and on the mantelshelf, too, were candles in china
candle-sticks. All these I lit one after the other. The fire was
laid--an unexpected consideration from the old housekeeper--and I lit
it, to keep down any disposition to shiver, and when it was burning
well I stood round with my back to it and regarded the room again. I
had pulled up a chintz-covered armchair and a table to form a kind of
barricade before me. On this lay my revolver, ready to hand. My precise
examination had done me a little good, but I still found the remoter
darkness of the place and its perfect stillness too stimulating for the
imagination. The echoing of the stir and crackling of the fire was no
sort of comfort to me. The shadow in the alcove at the end of the
room began to display that undefinable quality of a presence, that odd
suggestion of a lurking living thing that comes so easily in silence
and solitude. And to reassure myself, I walked with a candle into it
and satisfied myself that there was nothing tangible there. I stood that
candle upon the floor of the alcove and left it in that position.
By this time I was in a state of considerable nervous tension, although
to my reason there was no adequate cause for my condition. My mind,
however, was perfectly clear. I postulated quite unreservedly that
nothing supernatural could happen, and to pass the time I began
stringing some rhymes together, Ingoldsby fashion, concerning the
original legend of the place. A few I spoke aloud, but the echoes were
not pleasant. For the same reason I also abandoned, after a time, a
conversation with myself upon the impossibility of ghosts and haunting.
My mind reverted to the three old and distorted people downstairs, and I
tried to keep it upon that topic.
Public-domain text, read in full here on John Shaqi.
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