The Red Rugs of Tarsus: A Woman's Record of the Armenian Massacre of 1909Gibbons, Helen Davenport
History
The Red Rugs of Tarsus: A Woman's Record of the Armenian Massacre of 1909
Gibbons, Helen Davenport
Adana (Turkey) -- History; Armenian massacres, 1909 -- Turkey -- Adana
The audience of students and teachers was increased by the parents of
boys living in Tarsus and local Moslem dignitaries, the Kaïmakam, the
Feriq and the Mufti.[3] They were delighted to come, and praised our
school and its hospitality. At the end of each scene they applauded
conspicuously. The Mufti's parchment-like cheeks wrinkled to expose his
yellow gumless teeth in an appreciative grin, while the Kaïmakam shook
hands with the asthmatic Feriq Pasha until his Hamidian decorations
jingled on his breast.
Our efforts to persuade the boys to cut out a part here and there were
in vain. They insisted on giving the whole blessed thing. Candied
almonds and glasses of water passed around in the audience helped to
keep them awake. The atmosphere was hot and close, and the petroleum was
getting low in the lamps. Between the first and second acts the school
band--all individualists--did their favorite piece, the very march that
the old German orchestra leader in Philadelphia used to play at the
Country Club dances just after the last waltz before supper. The boys
put the vigor of their youth and the enthusiasm of the occasion into
their playing. I was glad the venerable Mufti had cotton in his ears.
The place was already so full of people and talk and lamp-baked air that
I thought the floor of the dormitory above would spill down on us when
the band thundered a climax of horns, trombones, drums and cymbals.
As the play went on, the audience did not need candied almonds or music
to keep them awake. Things began to go badly for Hamlet's mother's
husband. People stopped fanning. The dignitaries moved uneasily in their
places. With heads hunched down in their shoulders, they kept their eyes
glued on the stage. They are not familiar with our great William, and
believe, no doubt, that we invented the play as well as the actors'
costumes. Horror of horrors! We had forgotten what they might read into
the most realistic scene. An Armenian warning for Abdul Hamid? The
assassins mastered the struggling king. He lay there with his red hair
sticking out from his crown, and the muscles of his neck stiffened as
he gasped for breath while his throat was cut with a shiny white
letter-opener.
As I fell asleep last night, I saw the three dignitaries leaning forward
frowning. The Mufti had clinched the sides of the bench with his thin
hands. Could they be seriously disapproving of our show, because we
killed a king in it? I went to sleep laughing over Doctor Christie's
story of the way the authorities would not permit him to teach physics
in the early days because he was obliged to use the word "revolution."
_April ninth._
Public-domain text, read in full here on John Shaqi.
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