A neat matting made of green and brown straw covered the floor, on which were placed rugs made of scraps of silk of various colors artistically blended. A carved rosewood table with a white marble top stood in the centre of the room, and on it rested a plush-covered photograph-album, a glass lamp with a fluted and knotched paper shade on a frame of wire, and a vase of freshly cut flowers. Between the two front windows, which, like their fellows, were draped in white lace curtains of the cheapest quality, stood Dora's piano--a small, square instrument with sloping octagonal legs and lyre-shaped pedal-support. Against the wall near by leaned a time-worn easel, on which lay some torn and ragged sketches, a besmeared palette, and a handful of stubby, paint-filled brushes. The ceiling overhead was made of planks and painted light blue; the walls were plastered and whitewashed and ornamented by some really good family portraits in oil which had been done by Dora's deceased father, who had been the town's only artist. A Seth Thomas clock presided over a crude mantelpiece which was bare of any other ornament. The deep chimney was filled with pine-tops and cones, the uneven bricks of the hearth were whitewashed. Dearing heard the girl's returning step in the hallway, and then she looked in on him. “She is sitting up,” Dora announced. “She wants you to come to her.” As he entered the room across the hall Dora turned toward the kitchen in the rear, and he found himself facing her mother, a thin, gaunt woman about fifty years of age, who sat in a low rocking-chair near her bed, the latter orderly arranged under a spotlessly white coverlet and great snowy pillows. “This is not a professional visit, Mrs. Barry.” He smiled as he bent to take her thin, nervous hand, the fingers of which were aimlessly picking at the fringe on the arm of the chair. “Dora was headed for home, and so was I. The truth is, I am not half so much worried about you as I am about her. Your color is coming back fast enough, and you have no fever. You are all right, but she looks upset and nervous. It may be due to her highly artistic temperament, which is a thing medicine can't easily reach. Do you know if her appetite is good?” “Really I haven't noticed about that particularly,” the woman answered, in a plaintive tone. “You see, since I got down I haven't been about the dining-room at all. She has waited on me instead of me on her.” “Well, you'll be all right in a day or so,” Dearing said, his brows drawn thoughtfully, “and then you can take charge of her. She declares, though, that her health is tip-top.” The old patient folded her thin, blue-veined hands tightly for a moment, and twisted them spasmodically together; then suddenly she fixed her sharp, gray eyes anxiously on the young man's face, and he saw that she was deeply moved, for her lower lip was twitching.