Americans -- France -- Fiction; Domestic fiction; France -- Fiction; Love stories; Man-woman relationships -- Fiction
Almost as soon as the train left Calais her head had dropped back into
the corner, and she had fallen asleep.
Sitting opposite, in the compartment from which he had contrived to have
other travellers excluded, Darrow looked at her curiously. He had never
seen a face that changed so quickly. A moment since it had danced like
a field of daisies in a summer breeze; now, under the pallid oscillating
light of the lamp overhead, it wore the hard stamp of experience, as of
a soft thing chilled into shape before its curves had rounded: and it
moved him to see that care already stole upon her when she slept.
The story she had imparted to him in the wheezing shaking cabin, and at
the Calais buffet--where he had insisted on offering her the dinner
she had missed at Mrs. Murrett’s--had given a distincter outline to
her figure. From the moment of entering the New York boarding-school to
which a preoccupied guardian had hastily consigned her after the death
of her parents, she had found herself alone in a busy and indifferent
world. Her youthful history might, in fact, have been summed up in
the statement that everybody had been too busy to look after her. Her
guardian, a drudge in a big banking house, was absorbed by “the office”;
the guardian’s wife, by her health and her religion; and an elder
sister, Laura, married, unmarried, remarried, and pursuing, through all
these alternating phases, some vaguely “artistic” ideal on which the
guardian and his wife looked askance, had (as Darrow conjectured) taken
their disapproval as a pretext for not troubling herself about
poor Sophy, to whom--perhaps for this reason--she had remained the
incarnation of remote romantic possibilities.
Public-domain text, read in full here on John Shaqi.
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