The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
The instant our attack started, the forward troops came under intense
machine-gun fire from an almost invisible enemy who had taken refuge
in their “pill boxes” during our bombardment, and were now posted in
carefully chosen tactical positions. Simultaneously our supporting
troops suffered heavy casualties from enemy artillery, while the ground
to be traversed was a deep sea of mud, which drowned wounded men and
clogged rifles and Lewis guns in the first few minutes, rendering them
entirely useless. Consequently it was not long before the attack was
brought to a complete standstill, and the very attenuated Battalions
proceeded to consolidate as best they could on our side of the
Paddebeeke.[8] On our right the Canadians continued to advance: being
on higher and drier ground they were able to get on, so that presently
there was a dangerous gap between their left and our right. This was
closed by sending up the Shropshires from our Brigade reserve.
On this day the Artists went into action about 500 strong and suffered
350 casualties, amongst those killed being Captains Bare, Chetwood and
Gordon Williams, Lieuts. Haslam and Howe, and our splendid Padre, Capt.
Harry Dickinson. The toll of deaths would have been still higher but
for the untiring efforts of our M.O., Capt. Matthew, who for 72 hours
hardly rested from the work of collecting and dressing the wounded.[9]
The task set the Division appeared to be an impossible one, and no
doubt would not have been attempted but for the urgent necessity
of those tremendous attacks in this sector, which drew away all
the enemy’s reserves from other points where it was of the utmost
importance to prevent his attacking in force. It was not a case of
lives being fruitlessly thrown away, but of sacrifices which enabled
the whole Allied line to remain intact at a time when the Russian
débacle was straining to the utmost our resources on the Western Front.
The next day the remains of the Battalion moved out of the line to
refit, and while at Eringhem received a special message of sympathy
in respect of their losses, and congratulations on the part they had
played in the battle, brought direct to them from Earl Haig. They
learned also from the Canadians (who were loud in their praises of the
way in which our men had pressed forward) that several Artists had
succeeded in actually crossing the Paddebeeke before being killed.
DECEMBER, 1917.
Public-domain text, read in full here on John Shaqi.
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