The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914 — John Shaqi
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
The following morning I was taken forward to Divisional H.Q. in
dug-outs between St. Leger and Ecoust, and I was officially told that
I was to take over the command of the Artists. After reporting to
the Brigadier, General Lesslie, who proceeded to tell me all he knew
about the Artists as a Regiment and about the officers individually, I
set out on my lonely journey across a little valley to their H.Q. to
“take over.” I can imagine their Officers watching me come along, and
wondering what sort of a “blighter” they were getting this time. Well,
my feelings were much the same, but I had learned from the Brigadier
some of their good points, and they did not know even my bad ones then,
so I started “one up” on them anyhow.
I took over from Acting-Captain Hermelin, who was then in command;
Besch was the Intelligence Officer; Morris, Signalling Officer; Nelson,
the “Doc.”; Hewitt, Acting Adjutant; Light, Quarter-Master; Prentice,
Transport Officer; Robinson, Padre; and Wyler our Interpreter.
Very early a batch of officer-reinforcements arrived, and it became
obvious we were in for a show the nature of which we could only guess,
but for my part I should like to say that from the very first I had
every help from Officers, N.C.O.’s and men, and my work was made easy
by the spirit they all showed of welcoming me as one of themselves from
the start. I shall never forget those first few days and the solid
foundation of trust and comradeship they laid for what was before us.
* * * * *
On the 26th September we left our Camp for the old trenches just
outside Queant, where we were to assemble prior to a march on to our
“tape” between Moeuvre and Inchy, and we knew when we left (having
received all the barrage tables, etc.) that we were in for one of
the biggest battles fought by the British Armies during the whole of
the War, as the Division had to cross the Canal du Nord and take the
Hindenburg Line in conjunction with the Canadians on our left, and the
Guards on our right. This was only to be the first phase, and as far
as the Naval Division was concerned, the 190th Brigade was the first
to kick off. Afterwards, the other Brigades were to go through us and
capture Anneux and get on as far as they could.
I was rather pleased to find that it fell to the Artists to do the
lion’s share of the work of our Brigade, i.e., we had to capture the
Hindenburg Line after the Fusiliers and the Bedfords had crossed the
Canal, a very delicate and involved movement which required a great
deal of preparation and explanation.
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