The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
These good times soon come to an end. After various alarms and
excursions, we finally marched off and embussed, our destination being
a place called Le Forest, just outside Douai. It was rather a wonderful
ride, and a lovely day. We went via Lens, which was a pitiable sight.
I do not think I have ever seen any place of its size so completely
and deliberately destroyed. There were a lot of refugees coming back,
both east and west, carrying their worldly belongings with them. There
was no possibility of anyone finding anything habitable when they got
to Lens. One family struck me as a particularly bad case, even amongst
so many. They had come goodness knows how far, and consisted of an old
man, his wife, their daughter, and son-in-law, and their child in a
tumbled down old perambulator, piled up with all kinds of other things.
They had just arrived, and were standing on a heap of bricks, which
they realized was the site of their old home. I shall never forget the
look of utter desolation on their faces--they were beyond crying. There
must have been many, many cases like this, and they would all either
have to settle there, or face the journey back from where they had
come, a case of 7 or 8 miles at the least, on roads that only bore the
name out of courtesy. I saw some of our men crying when they saw these
people. There is something about a Frenchman’s love of his home that
appeals to us. With dog-like faith they tramp for miles to start all
over again in a place rendered more than desolate, which seems to me
the highest form of patriotism imaginable.
At Henin-Lietard we had to get out, as the bridges across the Canal
were blown up, and trekked to Le Forest. The Artists got an old Boche
hospital and after the usual spring clean was not too bad a home.
Headquarter Mess was in a nice little house in the main Street--at
least the bottom part of it was nice, the staircase having been burnt
out, and the upstairs rooms were rather a muddle. Here we gave a
concert and some conjuring exhibitions to the inhabitants, who hardly
seemed to realise that they were actually free and allowed to do more
or less as they liked. Some rumours of moves began to come along,
and we realised that it would not be very long before we were off
again--this time to some purpose.
NOVEMBER, 1918: THE LAST PHASE OF THE WAR.
On November 5th our rest at Le Forest came to an end and we journeyed
back via Auby and Douai to Thiant. The next morning we marched on to
Saultain, movement being slow owing to the congestion on the roads and
their state, and we got completely blocked up in a village (Aulnoy)
which showed signs of recent fighting, a good many dead lying about
outside.
On the 7th we were off again to Sebourquiaux. By this time the Brigade
that we were following were in action, and we were moving up in
readiness to go through it when ordered, and that evening reached Angré.
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