The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
Soon after this I went down for the first time to the Artists
Headquarters in Duke’s Road, where I met a lot of people whom I had
often heard of, but never before seen. They one and all made me so
welcome, that I almost felt I was going to my own home. I shall never
forget Colonel May coming up to me, and saying that he would like to
thank me for all I had done for the Artists, but that he did not quite
know how to do so, so he thought perhaps he had better repeat to me
what one of the men had said to him. When asked something about their
new Commanding Officer, this man had replied, “Well, Sir, he might have
been an Artist himself.”
I think that if I have earned those words, honestly spoken, it is as
much as anyone could have wished.
R. H. G.
P.S.--I have said very little about the organisation and
interior working of the Battalion because I do not consider
it would be a compliment to go into such details. I think the
secret of the Artists’ success was very largely the wonderful
amount of material always at hand. When Adjutants, Scouts,
Signallers, Runners, Pioneers, and all these people were ever
ready, and there was always somebody fit to step into someone
else’s shoes if anything happened, it really was very easy work
for a stranger, once he realised this. Then there was old Freddy
Light, with his 40 years service in the Corps, and R.Q.M.S.
Hack, a veteran of the Boer War times. They always worked
quietly without any fuss or bother, always had what was wanted,
and would have done anything in the world which was humanly
possible, that the men should be comfortable, and that the
Battalion should always have the best of everything. There were
few Territorial Regiments who had the services of one of their
own Quarter-Masters, and the Artists have been extremely lucky
in theirs.
Then you will find in my notes that the names of the Officers
are nearly always the same. I have avoided using names at
all except where I thought it would simplify matters, but I
do not wish to convey the impression that these are the only
names worthy of note, as it is not so. I should not know where
to begin, or end, if I had to tell you what I thought about
individuals. I see that R.S.M. Fox is not mentioned--there
again we were singularly fortunate, and had to do a great deal
of “wangling” to keep him. As you know, any man who occupied
that position after Peter Emslie had gone, had a very tough
proposition before him.
ADDENDA TO SECTIONS I. TO VI.
Particulars received whilst this Edition was in the Press--
_Add to_ ROLL OF HONOUR (pp. 2 to 42).
† = _Died of Wounds._
✠ = Military Cross.
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