The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
Despite the gloom that may sometimes come to us at happenings in these
present times, my firm conviction is that so long as we can produce men
of the quality of those whose names and deeds are enshrined in this
Roll of Honour we can go forward joyfully and with every confidence
into the unknown future. And may we all be inspired to carry out our
present obligations and duties patriotically, and to live henceforth
lives worthy of the example of those 2,003 Artists who died for us that
we as an Empire might live. This would be the best War Memorial of all.
_November 11th, 1921._
EDITOR’S PREFACE.
At an Army examination in 1913 the candidates, who included a few
Officers of the Artists in pursuit of the coveted “Q,” were confronted
with the following conundrum:--
“_Supposing a war continues--What machinery exists in England
for supplying the wastage in Officers?_”
Little did any of those candidates dream how soon this question would
insist on an immediate answer: that within the next twelve months the
old regular Army, hopelessly out-gunned, would have been sacrificed:
and that the nation would be called upon to provide, and would
eventually succeed in producing, from civilians, upwards of a quarter
of a million new Officers.
Still less did any member of the Artists then imagine that the quota
of such new Officers furnished by his own Battalion of amateur
soldiers--one of the original Rifle Volunteer Corps that was raised
by Painters and Art students in post-Crimean days and incorporated
in 1908 in the new Territorial Force as the “28th London (Artists
Rifles)”--would run into five figures. Or that within a few months of
the outbreak of hostilities ex-Artists (over 1,000 in number) would
have been gazetted to every regular infantry regiment in the British
Army including all the Foot Guards.
There is no more striking incident in the whole history of the Corps,
since the day when in beards and shakos our ancestors made their first
appearance on parade, than the story of the first little batch of
men suddenly called out of our ranks to replace, in the field, Army
Officers who had become casualties.
From this small beginning, extemporised to meet an emergency, sprang
the huge organisation which in the words of Earl French may be said
to have laid the foundation of that Officers’ School of War whose
ramifications were soon to extend, not only behind all the fighting
lines, but throughout the United Kingdom. By the end of the war this
Territorial unit had furnished over 10,000 Officers to our big Armies,
as chronicled in detail in the following pages, and had also trained in
its schools in France and in England several thousand cadets from other
Regiments, in addition to maintaining latterly a fighting Battalion in
the line.
THE FIRST BATTALION.
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