_Miss Spaulding_: “And I don’t believe you ever were in love, or ever
will be.”
_Miss Reed_: “Ah, there you wrong me, Henrietta! I have been, and I
shall be—lots of times.”
_Miss Spaulding_: “Well, what do you want to say now? You must hurry,
for I can’t lose any more time.”
_Miss Reed_: “I will free my mind with neatness and despatch. I simply
wish to go over the whole affair, from Alfred to Omaha; and you’ve got to
let me talk as much slang and nonsense as I want. And then I’ll skip all
the details I can. Will you?”
_Miss Spaulding_, with impatient patience: “Oh, I suppose so!”
_Miss Reed_: “That’s very sweet of you, though you don’t look it. Now,
where was I? Oh, yes, do you think it was forth-putting at all, to ask
him if he would give me the lessons?”
_Miss Spaulding_: “It depends upon why you asked him.”
_Miss Reed_: “I asked him from—from—Let me see; I asked him
because—from—Yes, I say it boldly; I asked him from an enthusiasm for
art, and a sincere wish to learn the use of oil, as he called it. Yes!”
_Miss Spaulding_: “Are you sure?”
_Miss Reed_: “Sure? Well, we will say that I am, for the sake of
argument. And, having secured this basis, the question is whether I
wasn’t bound to offer him pay at the end, and whether he wasn’t wrong to
take my doing so in dudgeon.”
_Miss Spaulding_: “Yes, I think he was wrong. And the terms of his
refusal were very ungentlemanly. He ought to apologize most amply and
humbly.” At a certain expression in _Miss Reed’s_ face, she adds, with
severity: “Unless you’re keeping back the main point. You usually do.
Are you?”
_Miss Reed_: “No, no. I’ve told you everything—everything!”
_Miss Spaulding_: “Then I say, as I said from the beginning, that he
behaved very badly. It was very awkward and very painful, but you’ve
really nothing to blame yourself for.”
_Miss Reed_, ruefully: “No-o-o!”
_Miss Spaulding_: “What do you mean by that sort of ‘No’?”
_Miss Reed_: “Nothing.”
_Miss Spaulding_, sternly: “Yes, you do, Ethel.”
_Miss Reed_: “I don’t, really. What makes you’ think I do?”
_Miss Spaulding_: “It sounded very dishonest.”
_Miss Reed_: “Did it? I didn’t mean it to.” Her friend breaks down with
a laugh, while _Miss Reed_ preserves a demure countenance.
_Miss Spaulding_: “What _are_ you keeping back?”
_Miss Reed_: “Nothing at all—less than nothing! I never thought it was
worth mentioning.”
_Miss Spaulding_: “Are you telling me the truth?”
_Miss Reed_: “I’m telling you the truth and something more. You can’t
ask better than that, can you?”
_Miss Spaulding_, turning to her music again: “Certainly not.”
_Miss Reed_: in a pathetic wail: “O Henrietta! do you abandon me thus?
Well, I will tell you, heartless girl! I’ve only kept it back till now
because it was so extremely mortifying to my pride as an artist—as a
student of oil. Will you hear me?”
_Miss Spaulding_, beginning to play: “No.”
Public-domain text, read in full here on John Shaqi.
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