_Miss Reed_, suddenly shutting the register on her side: “Oh!”
_Miss Spaulding_, looking up from her music: “What is it, Ethel?”
_Miss Reed_: “Nothing, nothing; I—I—thought it was getting too warm. Go
on, dear; don’t let me interrupt you.” After a moment of heroic
self-denial she softly presses the register open with her foot.
_Ransom_, coming back to the register: “It all began in that way. I had
the good fortune one day to rescue her from a—cow.”
_Miss Reed_: “Oh, for shame!”
_Miss Spaulding_, desisting from her piano: “What _is_ the matter?”
_Miss Reed_, clapping the register to: “This ridiculous book! But
don’t—don’t mind me, Nettie.” Breathlessly: “Go—go—on!” _Miss
Spaulding_ resumes, and again _Miss Reed_ softly presses the register
open.
_Ransom_, after a pause: “The cow was grazing, and had no more thought of
hooking Miss”—
_Miss Reed_: “Oh, I didn’t suppose he _would_!—Go on, Nettie, go on! The
hero—_such_ a goose!”
_Ransom_: “I drove her away with my camp-stool, and Miss—the young
lady—was as grateful as if I had rescued her from a menagerie of wild
animals. I walked home with her to the farm house, and the trouble began
at once.” Pantomime of indignant protest and burlesque menace on the
part of _Miss Reed_. “There wasn’t another well woman in the house,
except her friend Miss Spaulding, who was rather old and rather plain.”
He takes another turn to the window.
_Miss Reed_: “Oh!” She shuts the register, but instantly opens it again.
“Louder, Nettie.”
_Miss Spaulding_, in astonishment: “What?”
_Miss Reed_: “Did I speak? I didn’t know it. I”—
_Miss Spaulding_, desisting from practice: “What is that strange, hollow,
rumbling, mumbling kind of noise?”
_Miss Reed_, softly closing the register with her foot: “I don’t hear any
strange, hollow, rumbling, mumbling kind of noise. Do you hear it
_now_?”
_Miss Spaulding_: “No. It was the Brighton whistle, probably.”
_Miss Reed_: “Oh, very likely.” As _Miss Spaulding_ turns again to her
practice _Miss Reed_ re-opens the register and listens again. A little
interval of silence ensues, while _Ransom_ lights a cigarette.
_Grinnidge_: “So you sought opportunities of rescuing her from other
cows?”
_Ransom_, returning: “That wasn’t necessary. The young lady was so
impressed by my behavior, that she asked if I would give her some lessons
in the use of oil.”
_Grinnidge_: “She thought if she knew how to paint pictures like yours
she wouldn’t need any one to drive the cows away.”
_Ransom_: “Don’t be farcical, Grinnidge. That sort of thing will do with
some victim on the witness-stand who can’t help himself. Of course I
said I would, and we were off half the time together, painting the
loveliest and loneliest bits around Ponkwasset. It all went on very
well, till one day I felt bound in conscience to tell her that I didn’t
think she would ever learn to paint, and that—if she was serious about it
she’d better drop it at once, for she was wasting her time.”
Public-domain text, read in full here on John Shaqi.
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