Social problems; United States -- Social conditions -- 1865-1918
But it is her mode of keeping house and entertaining that makes the
thousands and tens of thousands fly. Her establishments are maintained
like so many luxurious hotel restaurants. Though her housekeeper is
a capable person and she herself studies her accounts closely, it is
impossible to be ready at all times to house and feed an indefinite
number of people of exacting taste without spending great sums of
money. It costs to be able to say to the butler at the last moment:
“There will be ten for luncheon, instead of six,” or “There will be
twelve for dinner, instead of four,” or “There will be four for dinner,
not eight.”
Our Mrs. Multi-Millionaire lives no better in respect of her table
than scores of people in her set and around it. She pays her chef one
hundred dollars a month and her butler seventy-five dollars a month,
and so do they. She has no better supplies on hand than have they.
Her bills at the shops where they sell things out of season--peaches
at four dollars apiece, strawberries at fifty cents apiece, and peas
at a dollar a small measure--show no different kinds of items from
theirs. They, too, have Sèvres plates at five hundred dollars the
dozen. They, too, have fruit plates and finger-bowls of gold plated
on silver that cost twelve hundred dollars the dozen. They, too, have
solid-gold after-dinner coffee cups at two thousand dollars the dozen,
and solid-gold spoons at four hundred dollars the dozen. The difference
between the dinners of those of her fortune and the dinners of those of
fewer millions lies in quantity, not quality. Where they would have to
make an effort in arranging an unusual dinner and could not have more
than a dozen at table, her establishment and many more establishments
like hers would easily and without effort expand to entertain, in a
fashion once called royal, two or three scores of guests.
The main and very conspicuous characteristic of this typical leader
in New York’s extravagance is, naturally, restlessness. Like the
other women of her set, like their imitators, down and down through
the strata of New York’s wealth-scaled society, she wanders nervously
about, spending money, inventing new ways of spending it, all because
she is in search of something, she knows not what, that ever eludes
her. And this restlessness, this nervousness, this hysteria, possesses
the women and the men alike. Does it come uptown with the men from
Wall street? Does it go downtown from the women and the fever of Fifth
avenue? It is impossible to say. We only know that it possesses both
and that it influences their every relation of life, public and private.
Public-domain text, read in full here on John Shaqi.
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