Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
THE REIGN OF GREED
A Complete English Version of
El Filibusterismo from the Spanish of
José Rizal
By
Charles Derbyshire
Manila
Philippine Education Company
1912
TRANSLATOR’S INTRODUCTION
El Filibusterismo, the second of José Rizal’s novels of Philippine
life, is a story of the last days of the Spanish régime in the
Philippines. Under the name of The Reign of Greed it is for the first
time translated into English. Written some four or five years after
Noli Me Tangere, the book represents Rizal’s more mature judgment on
political and social conditions in the islands, and in its graver and
less hopeful tone reflects the disappointments and discouragements
which he had encountered in his efforts to lead the way to reform.
Rizal’s dedication to the first edition is of special interest, as the
writing of it was one of the grounds of accusation against him when he
was condemned to death in 1896. It reads:
“To the memory of the priests, Don Mariano Gomez (85 years old),
Don José Burgos (30 years old), and Don Jacinto Zamora (35 years
old). Executed in Bagumbayan Field on the 28th of February, 1872.
“The Church, by refusing to degrade you, has placed in doubt the
crime that has been imputed to you; the Government, by surrounding
your trials with mystery and shadows, causes the belief that there
was some error, committed in fatal moments; and all the
Philippines, by worshiping your memory and calling you martyrs, in
no sense recognizes your culpability. In so far, therefore, as your
complicity in the Cavite mutiny is not clearly proved, as you may
or may not have been patriots, and as you may or may not have
cherished sentiments for justice and for liberty, I have the right
to dedicate my work to you as victims of the evil which I undertake
to combat. And while we await expectantly upon Spain some day to
restore your good name and cease to be answerable for your death,
let these pages serve as a tardy wreath of dried leaves over your
unknown tombs, and let it be understood that every one who without
clear proofs attacks your memory stains his hands in your blood!
J. Rizal.”
A brief recapitulation of the story in Noli Me Tangere (The Social
Cancer) is essential to an understanding of such plot as there is in
the present work, which the author called a “continuation” of the first
story.
Public-domain text, read in full here on John Shaqi.
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