Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
It was a beautiful night and the plaza presented a most animated
aspect. Taking advantage of the freshness of the breeze and the
splendor of the January moon, the people filled the fair to see, be
seen, and amuse themselves. The music of the cosmoramas and the lights
of the lanterns gave life and merriment to every one. Long rows of
booths, brilliant with tinsel and gauds, exposed to view clusters of
balls, masks strung by the eyes, tin toys, trains, carts, mechanical
horses, carriages, steam-engines with diminutive boilers, Lilliputian
tableware of porcelain, pine Nativities, dolls both foreign and
domestic, the former red and smiling, the latter sad and pensive like
little ladies beside gigantic children. The beating of drums, the roar
of tin horns, the wheezy music of the accordions and the hand-organs,
all mingled in a carnival concert, amid the coming and going of the
crowd, pushing, stumbling over one another, with their faces turned
toward the booths, so that the collisions were frequent and often
amusing. The carriages were forced to move slowly, with the tabí of the
cocheros repeated every moment. Met and mingled government clerks,
soldiers, friars, students, Chinese, girls with their mammas or aunts,
all greeting, signaling, calling to one another merrily.
Padre Camorra was in the seventh heaven at the sight of so many pretty
girls. He stopped, looked back, nudged Ben-Zayb, chuckled and swore,
saying, “And that one, and that one, my ink-slinger? And that one over
there, what say you?” In his contentment he even fell to using the
familiar tu toward his friend and adversary. Padre Salvi stared at him
from time to time, but he took little note of Padre Salvi. On the
contrary, he pretended to stumble so that he might brush against the
girls, he winked and made eyes at them.
“Puñales!” he kept saying to himself. “When shall I be the curate of
Quiapo?”
Suddenly Ben-Zayb let go an oath, jumped aside, and slapped his hand on
his arm; Padre Camorra in his excess of enthusiasm had pinched him.
They were approaching a dazzling señorita who was attracting the
attention of the whole plaza, and Padre Camorra, unable to restrain his
delight, had taken Ben-Zayb’s arm as a substitute for the girl’s.
It was Paulita Gomez, the prettiest of the pretty, in company with
Isagani, followed by Doña Victorina. The young woman was resplendent in
her beauty: all stopped and craned their necks, while they ceased their
conversation and followed her with their eyes—even Doña Victorina was
respectfully saluted.
Public-domain text, read in full here on John Shaqi.
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