Paulita was arrayed in a rich camisa and pañuelo of embroidered piña, different from those she had worn that morning to the church. The gauzy texture of the piña set off her shapely head, and the Indians who saw her compared her to the moon surrounded by fleecy clouds. A silk rose-colored skirt, caught up in rich and graceful folds by her little hand, gave majesty to her erect figure, the movement of which, harmonizing with her curving neck, displayed all the triumphs of vanity and satisfied coquetry. Isagani appeared to be rather disgusted, for so many curious eyes fixed upon the beauty of his sweetheart annoyed him. The stares seemed to him robbery and the girl’s smiles faithlessness. Juanito saw her and his hump increased when he spoke to her. Paulita replied negligently, while Doña Victorina called to him, for Juanito was her favorite, she preferring him to Isagani. “What a girl, what a girl!” muttered the entranced Padre Camorra. “Come, Padre, pinch yourself and let me alone,” said Ben-Zayb fretfully. “What a girl, what a girl!” repeated the friar. “And she has for a sweetheart a pupil of mine, the boy I had the quarrel with.” “Just my luck that she’s not of my town,” he added, after turning his head several times to follow her with his looks. He was even tempted to leave his companions to follow the girl, and Ben-Zayb had difficulty in dissuading him. Paulita’s beautiful figure moved on, her graceful little head nodding with inborn coquetry. Our promenaders kept on their way, not without sighs on the part of the friar-artilleryman, until they reached a booth surrounded by sightseers, who quickly made way for them. It was a shop of little wooden figures, of local manufacture, representing in all shapes and sizes the costumes, races, and occupations of the country: Indians, Spaniards, Chinese, mestizos, friars, clergymen, government clerks, gobernadorcillos, students, soldiers, and so on.