Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
“Here, enough of complaints, puñales, else I’ll fall to weeping!” cried
Padre Camorra gleefully. “We’re not complaining, and we haven’t either
estates or banking-houses. You know that my Indians are beginning to
haggle over the fees and to flash schedules on me! Just look how they
cite schedules to me now, and none other than those of the Archbishop
Basilio Sancho, [10] as if from his time up to now prices had not
risen. Ha, ha, ha! Why should a baptism cost less than a chicken? But I
play the deaf man, collect what I can, and never complain. We’re not
avaricious, are we, Padre Salvi?”
At that moment Simoun’s head appeared above the hatchway.
“Well, where’ve you been keeping yourself?” Don Custodio called to him,
having forgotten all about their dispute. “You’re missing the prettiest
part of the trip!”
“Pshaw!” retorted Simoun, as he ascended, “I’ve seen so many rivers and
landscapes that I’m only interested in those that call up legends.”
“As for legends, the Pasig has a few,” observed the captain, who did
not relish any depreciation of the river where he navigated and earned
his livelihood. “Here you have that of Malapad-na-bato, a rock sacred
before the coming of the Spaniards as the abode of spirits. Afterwards,
when the superstition had been dissipated and the rock profaned, it was
converted into a nest of tulisanes, since from its crest they easily
captured the luckless bankas, which had to contend against both the
currents and men. Later, in our time, in spite of human interference,
there are still told stories about wrecked bankas, and if on rounding
it I didn’t steer with my six senses, I’d be smashed against its sides.
Then you have another legend, that of Doña Jeronima’s cave, which Padre
Florentino can relate to you.”
“Everybody knows that,” remarked Padre Sibyla disdainfully.
But neither Simoun, nor Ben-Zayb, nor Padre Irene, nor Padre Camorra
knew it, so they begged for the story, some in jest and others from
genuine curiosity. The priest, adopting the tone of burlesque with
which some had made their request, began like an old tutor relating a
story to children.
Public-domain text, read in full here on John Shaqi.
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