Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
His Excellency arrived, but the young man paid no attention to him. He
was watching the face of Simoun, who was among those that descended to
receive him, and he read in that implacable countenance the sentence of
death for all those men, so that fresh terror seized upon him. He felt
cold, he leaned against the wall, and, with his eyes fixed on the
windows and his ears cocked, tried to guess what might be happening. In
the sala he saw the crowd surround Simoun to look at the lamp, he heard
congratulations and exclamations of admiration—the words “dining-room,”
“novelty,” were repeated many times—he saw the General smile and
conjectured that the novelty was to be exhibited that very night, by
the jeweler’s arrangement, on the table whereat his Excellency was to
dine. Simoun disappeared, followed by a crowd of admirers.
At that supreme moment his good angel triumphed, he forgot his hatreds,
he forgot Juli, he wanted to save the innocent. Come what might, he
would cross the street and try to enter. But Basilio had forgotten that
he was miserably dressed. The porter stopped him and accosted him
roughly, and finally, upon his insisting, threatened to call the
police.
Just then Simoun came down, slightly pale, and the porter turned from
Basilio to salute the jeweler as though he had been a saint passing.
Basilio realized from the expression of Simoun’s face that he was
leaving the fated house forever, that the lamp was lighted. Alea jacta
est! Seized by the instinct of self-preservation, he thought then of
saving himself. It might occur to any of the guests through curiosity
to tamper with the wick and then would come the explosion to overwhelm
them all. Still he heard Simoun say to the cochero, “The Escolta,
hurry!”
Terrified, dreading that he might at any moment hear the awful
explosion, Basilio hurried as fast as his legs would carry him to get
away from the accursed spot, but his legs seemed to lack the necessary
agility, his feet slipped on the sidewalk as though they were moving
but not advancing. The people he met blocked the way, and before he had
gone twenty steps he thought that at least five minutes had elapsed.
Some distance away he stumbled against a young man who was standing
with his head thrown back, gazing fixedly at the house, and in him he
recognized Isagani. “What are you doing here?” he demanded. “Come
away!”
Isagani stared at him vaguely, smiled sadly, and again turned his gaze
toward the open balconies, across which was revealed the ethereal
silhouette of the bride clinging to the groom’s arm as they moved
slowly out of sight.
“Come, Isagani, let’s get away from that house. Come!” Basilio urged in
a hoarse voice, catching his friend by the arm.
Isagani gently shook himself free and continued to stare with the same
sad smile upon his lips.
“For God’s sake, let’s get away from here!”
“Why should I go away? Tomorrow it will not be she.”
Public-domain text, read in full here on John Shaqi.
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