PEREZ Burn this note. “T-that V-victorina!” Don Tiburcio had stammered. “S-she’s c-capable of having me s-shot!” Padre Florentino was unable to reassure him. Vainly he pointed out to him that the word cojera should have read cogerá, [77] and that the hidden Spaniard could not be Don Tiburcio, but the jeweler Simoun, who two days before had arrived, wounded and a fugitive, begging for shelter. But Don Tiburcio would not be convinced—cojera was his own lameness, his personal description, and it was an intrigue of Victorina’s to get him back alive or dead, as Isagani had written from Manila. So the poor Ulysses had left the priest’s house to conceal himself in the hut of a woodcutter. No doubt was entertained by Padre Florentino that the Spaniard wanted was the jeweler Simoun, who had arrived mysteriously, himself carrying the jewel-chest, bleeding, morose, and exhausted. With the free and cordial Filipino hospitality, the priest had taken him in, without asking indiscreet questions, and as news of the events in Manila had not yet reached his ears he was unable to understand the situation clearly. The only conjecture that occurred to him was that the General, the jeweler’s friend and protector, being gone, probably his enemies, the victims of wrong and abuse, were now rising and calling for vengeance, and that the acting Governor was pursuing him to make him disgorge the wealth he had accumulated—hence his flight. But whence came his wounds? Had he tried to commit suicide? Were they the result of personal revenge? Or were they merely caused by an accident, as Simoun claimed? Had they been received in escaping from the force that was pursuing him? This last conjecture was the one that seemed to have the greatest appearance of probability, being further strengthened by the telegram received and Simoun’s decided unwillingness from the start to be treated by the doctor from the capital. The jeweler submitted only to the ministrations of Don Tiburcio, and even to them with marked distrust. In this situation Padre Florentino was asking himself what line of conduct he should pursue when the Civil Guard came to arrest Simoun. His condition would not permit his removal, much less a long journey—but the telegram said alive or dead. Padre Florentine ceased playing and approached the window to gaze out at the sea, whose desolate surface was without a ship, without a sail—it gave him no suggestion. A solitary islet outlined in the distance spoke only of solitude and made the space more lonely. Infinity is at times despairingly mute.