The old man was trying to analyze the sad and ironical smile with which Simoun had received the news that he was to be arrested. What did that smile mean? And that other smile, still sadder and more ironical, with which he received the news that they would not come before eight at night? What did all this mystery signify? Why did Simoun refuse to hide? There came into his mind the celebrated saying of St. John Chrysostom when he was defending the eunuch Eutropius: “Never was a better time than this to say—Vanity of vanities and all is vanity!” Yes, that Simoun, so rich, so powerful, so feared a week ago, and now more unfortunate than Eutropius, was seeking refuge, not at the altars of a church, but in the miserable house of a poor native priest, hidden in the forest, on the solitary seashore! Vanity of vanities and all is vanity! That man would within a few hours be a prisoner, dragged from the bed where he lay, without respect for his condition, without consideration for his wounds—dead or alive his enemies demanded him! How could he save him? Where could he find the moving accents of the bishop of Constantinople? What weight would his weak words have, the words of a native priest, whose own humiliation this same Simoun had in his better days seemed to applaud and encourage? But Padre Florentine no longer recalled the indifferent reception that two months before the jeweler had accorded to him when he had tried to interest him in favor of Isagani, then a prisoner on account of his imprudent chivalry; he forgot the activity Simoun had displayed in urging Paulita’s marriage, which had plunged Isagani into the fearful misanthropy that was worrying his uncle. He forgot all these things and thought only of the sick man’s plight and his own obligations as a host, until his senses reeled. Where must he hide him to avoid his falling into the clutches of the authorities? But the person chiefly concerned was not worrying, he was smiling.