The Relation of Art to NatureBeatty, John W. (John Wesley)
Philosophy
The Relation of Art to Nature
Beatty, John W. (John Wesley)
Art; Nature (Aesthetics)
John La Farge, the American artist who was a profound student of
oriental art, suggests this undefined law of harmony in the universe
when he says: “I might acknowledge that I have far within me a belief
that art is the love of certain balanced proportions and relations
which the mind likes to discover and to bring out in what it deals
with, be it thought, or the action of man, or the influences of nature,
or the material things in which the necessity makes it to work. I
should then expand this idea until it stretched from the patterns of
earliest pottery to the harmony of the lines of Homer. Then I should
say that in our plastic arts the relations of lines and spaces are, in
my belief, the first and earliest desires. And again, I should have to
say that, in my unexpressed faith, these needs are as needs of the soul
and echoes of the laws of the universe, seen and unseen, reflections
of the universal mathematics, cadences of the ancient music of the
spheres.”
“For I am forced to believe that there are laws for our eyes as well as
for our ears, and that when, if ever, these shall have been deciphered,
as has been the good fortune with music, then shall we find that all
best artists have carefully preserved their instinctive obedience to
these, and have all cared together for this before all.”
“For the arrangements of line and balances of spaces which meet these
underlying needs are indeed the points through which we recognize the
answer to our natural love and sensitiveness for order, and through
this answer, we feel, clearly or obscurely, the difference between what
we call great men and what we call the average, whatever the personal
charm may be.”
_Conclusion_
It may seem ruthless to destroy the old conception which attributed to
the works of the painter and sculptor a place superior to or above the
works of men in the field of science or in other spheres of activity,
but this, I think, is rapidly being done. The idea that man is capable
of adding anything to or improving upon the supreme qualities of beauty
as these exist in nature is disappearing. The spirit of a scientific
age is dispelling the old conception of art. Men now realize in art as
in science that the quality of truth is the sole object to be sought.
[SN: _Lord James Bryce_]
Public-domain text, read in full here on John Shaqi.
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