The Relation of the Hrólfs Saga Kraka and the Bjarkarímur to Beowulf: A Contribution To The History Of Saga Development In England And The; Scandinavian Countries — John Shaqi
The Relation of the Hrólfs Saga Kraka and the Bjarkarímur to Beowulf: A Contribution To The History Of Saga Development In England And The; Scandinavian CountriesOlson, Oscar Ludvig
History
The Relation of the Hrólfs Saga Kraka and the Bjarkarímur to Beowulf: A Contribution To The History Of Saga Development In England And The; Scandinavian Countries
The last episode in the story about Bjarki and the winged monster has
met with more criticism than any other portion of it. Olrik says that
the story should have given us a real test of Hjalti's manhood;[71]
Lawrence says, "The beast-propping episode spoils the courage-scene";[72]
and Panzer says that this part of the story is impossible, because
Hjalti is represented as killing a dead monster, and Hrolf, although he
perceives the deception that has been practiced, nevertheless gives the
swindler the heroic name Hjalti.[73] Panzer is also inclined to make
much of Hjalti's asking for, and receiving, the king's sword, as he
mentions the matter twice. Once he says, "Warum er des Königs Schwert
verlangt, gibt die Saga nicht an, er 'tötet' damit das (tote) Tier wie
in den _Rímur_";[74] and again, "Man sieht nicht, warum und wozu Hjalti
des Königs Schwert zu seiner Scheintat erbittet und erhält".[75]
Furthermore, Kluge, Sarrazin, Holthausen, Lawrence, and Panzer[76] would
identify "gylden hilt" in _Beowulf_ with Gullinhjalti in the saga.
In considering this portion of the story it should be observed that the
saga-man had a fourfold purpose in view. Bjarki must receive credit for
his great achievement in killing the troll-dragon; he must receive
credit for having made a brave man of the cow Hott; Hott must give proof
of his newly acquired courage; his change of name must also be made,
and, as is most appropriate, it must result, and result naturally, from
the deed by which his courage is displayed. But before proceeding to an
explanation of how the author manipulates the scene so as to accomplish
his purpose, let us see how he has prepared for it.
The monster is dead. Hott has partaken of its strength-giving blood and
heart. Bjarki and Hott have wrestled long, so that Bjarki has brought
Hott to a thorough realization of the strength he now possesses, for
that is the significance of the wrestling-match; and what better
assurance could Hott have that he is now very strong than that he is not
put to shame in wrestling with Bjarki who has overawed the king's
warriors and slain the terrible dragon? Finally, the dragon is propped
up and the two retire.
Public-domain text, read in full here on John Shaqi.
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