The Relentless CityBenson, E. F. (Edward Frederic)
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The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
'Oh, I'm ill, I'm ill,' he said; 'and it was quite my own fault. I sat
outside this morning without a rug, and I knew I was catching a chill.
And I didn't care. You see, you didn't care. You never asked me what
the doctor's report was this morning, and I--I determined not to care
either. I am sorry; I shouldn't have said that.'
Sybil's hand trembled as she arranged the bedclothes, which he had
thrown off.
'I was a brute,' said she, 'and----' She paused. 'Charlie, you must get
well,' she cried suddenly.
He lay quite still a moment, with breath coming quickly.
'You said that as if you cared,' he said.
CHAPTER XIV
The marriage of Bertie Keynes and Amelie was to be celebrated at New
York towards the end of February, and bade fair to be the _comble_
up to date (not even excepting the famous pearl fishery) of Mrs.
Palmer's social successes. It was to take place in St. Luke's Church,
Fifth Avenue, and for days beforehand the ordinary services had been
altogether suspended, because the church had to be made fit to be
the theatre of the ceremony, and a perfect army of furniture-men,
upholsterers, carpenters, and plumbers occupied it. The ordinary
square-backed wooden pews were removed from the body of the church,
which was carpeted from wall to wall with purple felt, and rows of
_fauteuils_ in scarlet morocco, like the stalls of an opera-house,
occupied their places. To complete the resemblance, each chair was
marked with its particular number in its own row, and the occupants,
who gave up their tickets at the church door, retaining only the
tallies, were shown to their places, where they found in each chair
a copy of the service printed on vellum and bound by Riviere, by
scarlet-coated footmen. Similarly, the free seats in the gallery were
cleared out in order to make room for the very magnificent orchestra,
which beguiled the hours of waiting for the guests with inspiriting
and purely secular pieces, and during the choral part of the service
accompanied the choir.
Public-domain text, read in full here on John Shaqi.
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