The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
Two electric broughams were waiting at the Pall Mall entrance as Mrs.
Palmer rustled out between rows of liveried men, whose sole office
appeared to be to look reverential as she passed, as if to have just
seen her was the Mecca of their aspirations. Then, after a momentary
hesitation between the two young men, Bertie followed her dazzling
opera-cloak into the first brougham, and, amid loud and voluble regrets
on her part that there was not room for three, and the exaction of
a solemn promise that Charlie would not quarrel with his friend for
having monopolized her, they started. Charlie gave a little sigh,
whether of disappointment or not is debatable, and followed them alone
in the second brougham.
The motor went swiftly and noiselessly up Haymarket, and into the
roaring whirlpool of the Circus. It was a fine warm evening, and over
pavement and roadway the season of the streets, which lasts not for a
few months only, after the manner of the enfeebled upper class, but all
the year round, was in full swing. Hansom cabs, newsboys shouting the
latest details of all the dirty linen which had been washed that week,
omnibuses nodding ten feet high above the road, and life-guardsmen
nodding six, women plain and coloured, men in dress-clothes hurrying
late to the theatres, shabby skulkers in shadow, obscure persons of
prey, glittering glass signs about the music-halls, flower-sellers
round the fountain, swinging-doors of restaurants swallowing in and
vomiting out all sorts and conditions of men, winking sky--signs,
policemen controlling the traffic--all contributed their essential but
infinitesimal quota to the huge hodge-podge of life, bent as the great
majority of life always is on the seizure of the present vivid moment,
the only thing which is certainly existent. For the past is already to
everyone but of the texture of a dream; the future is a dream also, but
lying in impenetrable shadow. But the moment is real.
To Charlie it appeared to-night that the festival of the pavements was
certainly gayer than the festival of the Carlton. His own world schemed
more, it might be, and substituted innuendo for a bolder and more
direct manner of talk, but it really had less capacity for enjoyment.
Ten weeks of London broke its wind somewhat, and it retired into the
country to graze, to digest, to recoup. But here on the pavements a
lustier spirit reigned, the spirit of the people, pressing upwards and
upwards like buried bulbs striving towards the light through the good,
moist earth, whereas, to continue the metaphor that was in his mind,
the folk among whom he moved, whose doings he continually observed
with an absorbed but kindly cynicism, were like plants tended in a
greenhouse, and potted out when the weather became assured.
Public-domain text, read in full here on John Shaqi.
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