The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
It was not wonderful that this _pot-au-feu_ of feeling, amounting to
positive agitation, did not tend towards the comfort of her company
at the rehearsal, nor indeed, on the part of the manageress, toward
the calm attitude of the thoughtful critic. In consequence, before the
rehearsal was an hour old--it was the first 'without books' rehearsal
--the second leading lady was next door to tears, the leading gentleman
in sulks, the author in despair, and Mrs. Emsworth in a mood of
dangerous suavity that made the aspiring actors heart-sick.
'Miss Dayrell,' she was saying, 'would you mind not turning your back
completely on the audience when you speak those lines. Mr. Yates'--this
was the leading gentleman--' I am _so_ sorry to interrupt your
conversation, but my throat is rather sore this morning, and I cannot
hear myself speak if you talk so loud to your friends. Yes; I think,
as you are not on the stage just now, it would be better if you left
it. Yes, Miss Dayrell, you see these are perhaps the most important
lines in the play which you have to speak, and the audience will have a
better chance of understanding it if you let them hear what Mr. Farquar
has given you to say. Mr. Farquar, I am afraid the second act is about
twice as long as it ought to be. I have cut some of it--at least, with
your approval, I propose to cut some of it.'
Mr. Farquar sighed heavily in the stalls. He had spent the greater part
of the last three nights in writing more of the second act, because it
was not long enough.
'Thank you,' continued Mrs. Emsworth, interpreting the sigh as silence.
'You will see my alterations when we get to them. Would you kindly
begin, Miss Dayrell, at "If I had a pitch-fork."'
Suddenly her voice changed to a wheedling tenderness.
'And if my own Teddy Roosevelt hasn't come down of his own delicious
accord to see his aunt in her pretty theatre! Teddy, the world is very
evil, and my mother bids me bind my hair. I beg your pardon, ladies and
gentlemen, but I had to say a word to Popsie Tootsicums. Now, dear Miss
Dayrell, let's begin again. You enter. Excellent. You turn. Yes, that's
exactly what I want. Now.'
A murmur of relief went round, and the faded actors and actresses
raised their drooped heads as when a shower has passed over a
drought-dried garden. And Teddy R., the angel in disguise, sat sparsely
down in the middle of the stage, and smiled on the spectacle of his
beneficent work.
Public-domain text, read in full here on John Shaqi.
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