The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
But because the happy appearance of Teddy Roosevelt had made _le beau
temps_ for the members of Mrs. Emsworth's company, it did not at all
follow that Bilton, when he came to lunch, would find the same sunshine
awaiting him, even as there is no guarantee that, because at twelve
o'clock on an April day pellucid tranquillity flooded the earth, there
will not be a smart hail-storm an hour afterwards. On the contrary, it
was safe to bet that, whatever mood Mrs. Emsworth was in, she would be
in a different one before long. The spring-day temperament of hers was,
in fact, the only thing to be reckoned on. Consequently, since Bilton
had not witnessed the varied phases exhibited at the theatre, he hoped,
somehow sanguinely, that she would not be in a temper that so roundly
labelled him 'beast' at Port Washington Station.
She seemed to have forgotten he was coming to lunch--as a matter of
fact, she had, and welcomed him charmingly.
'Dear man,' she said, 'how nice of you to look in. I'm nearly dead with
fatigue; let's have lunch at once. Harold, I've acted every part in
'Telegrams' through from beginning to end this morning. Those people
are so hard-working, but they are so stupid. In fact, I know every part
but my own. That I have promised them to be word perfect in by five
o'clock this afternoon.'
'You don't rehearse again this afternoon?' asked he.
'Oh yes, I do. Three hours more this afternoon, then just time for
dinner, then theatre again till half-past eleven, then supper at
the Waldorf. To-morrow, rehearsal all morning, matinee, evening
performance, every interval filled up with reporters and milliners and
lime-light people. Oh, well, thank God, we shall all soon be dead. Time
to rest then, and time to lunch now.'
'Don't overdo it, Dolly,' said he, as they sat down.
'Overdo it?' My dear boy, it is rather late in the day to recommend
me not to overdo it. Besides, we women, and in special this woman,
are so much stronger than men. My company follow me through hours of
rehearsal, faint yet pursuing. They drop asleep, and I wake them with
a gentle touch on their shoulders, and they say, "Is it morning yet?"
And I say, "Kindly wake up for ten minutes, and go through this scene,
dear, and then you shall go to sleep again." Then, at the end, when
I say, "That is all for to-night, ladies and gentlemen," they all
hurry away in desperate fear lest I should ask them to supper. "_Il
faut lutter pour l'art_," as Daudet says. I'm so glad I'm not a prig,
Harold, who thinks about the exigencies of the artistic temperament.
I'm not an artist at all. People come to see me act because I'm (_a_)
rather good-looking, (_b_) in rollicking good spirits. What delicious
cantaloupe! I like my food.'
Public-domain text, read in full here on John Shaqi.
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