The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
The shelter was lit by an electric light, and he had just turned this
on when he heard the wheels of her cab drive up. He went in through the
garden-door to meet her, his heart beating wildly, found her in the
moment of arrival, and advanced to her with outstretched hands.
'Ah, this is charming of you,' he said; 'I am delighted to see you!'
But she had involuntarily paused a moment as she saw him, for, though
his disease had made no violent inroads on him, yet the whole manner
of his face, his walk, his appearance, was changed. His eyes were
always large, they now perhaps looked ever so little larger; his face
was always thin, it was perhaps a shade thinner; he always stooped, he
stooped perhaps a little more. But, even as one can look at a portrait
and say 'I see no point on which it is not like, yet it really has no
resemblance to the man,' so, though Charlie was changed so little,
yet he was not like him with whom she had walked on the hot Sunday
afternoon of July last. Then it was summer, now it was autumn; and,
instead of the broad brightness of sun, a little bitter wind stirred
among the trees. For the flame of life there was substituted the shadow
of death, intangible, indescribable, untranslatable into definite
thought, but unmistakable.
But her pause was only momentary; the quick, practical part of her
nature leaped instinctively to the surface to do its duty. She was
here, if possible, to help, and she came quickly forward to meet him.
'My dear Charlie,' she said, 'it is good to see you again.'
She took both his hands in hers.
'You bad boy,' she said, 'to get ill. Judy told me. It was not her
fault; I made her.'
'I meant to tell you myself,' said he; 'but it does not matter. Now,
that is enough of that subject; my mother and I never talk of it--we
hardly ever think of it. Now, will you take off your things?'
Sybil drew her cloak round her.
'No, certainly not,' said she. 'Judy told me you lived in a
summer-house. Well, I did not come down here to see you through the
window; lead on to the summer-house.'
'It will be too cold for you,' said he.
'It will be nothing of the kind.'
They talked till dinner on indifferent subjects; she sketched New York
for him with a brilliant, if not a very flattering, touch; she did her
best for the Revels, but suddenly in the middle broke down.
'It really is awful what a beast one is!' she said. 'But there,
somehow, where what I am describing to you is natural, where everyone
is so extraordinarily kind and so entirely uncultured, the vulgarity
did not strike me. I like the people, and, as you know, I like the
sense of wealth. Who is it who talks about moral geography? Burke, I
think. Well, that is a very suggestive expression. You can do in New
York what you cannot possibly conceive doing in England, just as you
can grow plants in the South which will not stand our climate.'
Charlie shook his head.
'I don't think I could stand that anywhere,' he said.
Public-domain text, read in full here on John Shaqi.
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