When the student of Plutarch leaves the familiar ground of the “Parallel Lives,” and turns, for the first time, to the less thoroughly explored region of the “Ethics,” he is struck with wonder at the many-sided excellence of the writer whose special gift he has been accustomed to regard as consisting in the composition of biographies more remarkable for the presentation of moral truths than for the accurate narration of historical facts. He learns with surprise that Plutarch has bequeathed to posterity a mine of information respecting the period in which he himself lived, as valuable and as interesting as the view presented in his “Lives” of that higher antiquity in which his classic heroes moved and worked. Even the actual bulk of Plutarch’s contribution to what may be called “general literature” is noteworthy. Apart from the “Lives,” the so-called “Catalogue of Lamprias” contains the titles of nearly two hundred works attributed, ostensibly by his son, to Plutarch,[1] and some fourscore of these have been handed down to our time under the general, but somewhat misleading, title of “Ethica” or “Moralia.” Among these surviving essays are to be found contributions, of a surprising vitality and freshness, to the discussion of Education, Politics, Art, Literature, Music, Hygiene; serious and studied criticisms and appreciations of the great philosophic schools of Greece and their founders; short sermons on minor morals, illustrated by vivid sketches of character both typical and individual; conversations on Love and Marriage, and on other topics perpetually interesting to civilized societies. The longest work of all, the “Symposiacs,” or “Table Talk,” besides containing a wealth of material used by Plutarch and his friends in the discussion of current problems of scientific, literary, and social interest, gives a picture of Græco-Roman Society in the first Christian century, which, both from its general character and from the multitude of details it contains on matters of fact, is of the utmost importance for the accurate study of the period and its complicated problems. All these various works are interpenetrated with the character of the writer to such a vivid degree of personality that their study, from this point of view alone, would probably cast more light upon Plutarch’s methods as a writer of history than innumerable minute and difficult inquiries into his “sources,” and the manner in which he used them in writing his “Lives.”