But there is still another error into which we may fall. It is that of attaching too literal a meaning to the language of theology. The error is the natural result of the reaction from the older methods of interpretation, which found allegories in the simplest of texts, and mystical significations in the plainest words. The application of the scientific method to the records of the past brought with it a recognition that an ancient writer meant what he said quite as much as a writer of to-day, and that to read into his language the arbitrary ideas of a modern hierophant might be an attractive pastime, but not a serious occupation. Before we can hope to understand the literature of the past, we must try to discover what is its literal and natural meaning, unbiassed by prejudices or prepossessions, or even by the authority of great names. Theologians have been too fond of availing themselves of the ambiguities of language, and of seeing in a text more than its author either knew or dreamt of. Unless we have express testimony to the contrary, it is no more permissible to find parables and metaphorical expressions in an old Egyptian book than it is in the productions of the modern press. But, on the other hand, it is possible to press this literalism too far. Language, it has been said, is a storehouse of faded metaphors; and if this is true of language in general, it is still more true of theological language. We can understand the spiritual and the abstract only through the help of the material; the words by which we denote them must be drawn, in the first instance, from the world of the senses. Just as in the world of sense itself the picture that we see or the music that we hear comes to us through the nerves of sight and hearing, so all that we know or believe of the moral and spiritual world is conveyed to us through sensuous and material channels. Thought is impossible without the brain through which it can act, and we cannot convey to others or even to ourselves our conceptions of right and wrong, of beauty and goodness, without having recourse to analogies from the world of phenomena, to metaphor and imagery, to parable and allegory. What is “conception” itself but a “grasping with both hands,” or “parable” but a “throwing by the side of”? If we would deal with the spiritual and moral, we _must_ have recourse to metaphorical forms of speech. A religion is necessarily built up on a foundation of metaphor.