[Footnote 72: A group of hymns in the first book of the Rig Veda are attributed to Dogstail. At any rate, they do allude to him, and so prove a moderate antiquity (probably the middle period of the Rik) for the tale. The name, in Sanskrit Çunasçepa, has been ingeniously starred by Weber as Cynosoura; the last part of each compound having the same meaning, and the first part being even phonetically the same _çunas, [Greek: kunhos]_.] [Footnote 73: _Ait. Br._ viii. 10, 15, 20.] [Footnote 74: The epic has a later version. This earlier form is found in _Çat. Br._ i. 8. 1. For the story of the flood among the American Indians compare Schoolcraft (_Historical and Statistical Information_), i. 17.] * * * * * CHAPTER X. BRAHMANIC PANTHEISM.--THE UPANISHADS. In the Vedic hymns man fears the gods, and imagines God. In the Br[=a]hmanas man subdues the gods, and fears God. In the Upanishads man ignores the gods, and becomes God.[1] Such in a word is the theosophic relations between the three periods represented by the first Vedic Collection, the ritualistic Br[=a]hmanas, and the philosophical treatises called Upanishads. Yet if one took these three strata of thought to be quite independent of each other he would go amiss. Rather is it true that the Br[=a]hmanas logically continue what the hymns begin; that the Upanishads logically carry on the thought of the Br[=a]hmanas. And more, for in the oldest Upanishads are traits that connect this class of writings (if they were written) directly, and even closely with the Vedic hymns themselves; so that one may safely assume that the time of the first Upanishads is not much posterior to that of the latest additions made to the Vedic collections, though this indicates only that these additions were composed at a much later period than is generally supposed.[2] In India no literary period subsides with the rise of its eventually 'succeeding' period. All the works overlap. Parts of the Br[=a]hmanas succeed, sometimes with the addition of whole books, their proper literary successors, the Upanishads. Vedic hymns are composed in the Brahmanic period.[3] The prose S[=u]tras, which, in general, are earlier, sometimes post-date metrical Ç[=a]stra-rules. Thus it is highly probable that, whereas the Upanishads began before the time of Buddha, the Çatapatha Br[=a]hmana (if not others of this class) continued to within two or three centuries of our era; that the legal S[=u]tras were, therefore, contemporary with part of the Br[=a]hmanic period;[4] and that, in short, the end of the Vedic period is so knit with the beginning of the Br[=a]hmanic, while the Br[=a]hmanic period is so knit with the rise of the Upanishads, S[=u]tras, epics, and Buddhism, that one cannot say of any one: 'this is later,' 'this is earlier'; but each must be taken only for a phase of indefinitely dated thought, exhibited on certain lines. It must