The Religious Thought of the Greeks, from Homer to the Triumph of ChristianityMoore, Clifford Herschel
Religion
The Religious Thought of the Greeks, from Homer to the Triumph of Christianity
Moore, Clifford Herschel
Greece -- Religion; Philosophy, Ancient; Religious thought -- Greece; Religious thought -- To 600
Yet if Homer’s gods are human, they are still impressive; they have the
dignity which comes from unchanging age and superhuman power; they are
conceived in the grand way. So true was this that as the Homeric poems
became popular literature, studied in school and known to all men, they
created a universal religion. They also influenced the types under
which the Greek artists represented their great gods. Tradition says
that when Phidias was asked by his associate Panaenus what type he had
selected for his Zeus at Olympia, he replied with Homer’s lines: “The
son of Cronos spoke and nodded under his dark brows; and the ambrosial
locks of the king fell down from his immortal head, and he shook great
Olympus.”[52] Such was the effect of this statue after it had stood for
five centuries and a half that the orator Dio Chrysostom said of it:
“Whoever among mankind is wholly weary in soul, whoever has experienced
many misfortunes and sorrows in life, and may not find sweet sleep,
he, methinks, if he stood before this statue, would forget all the
calamities and griefs that come in the life of man.”[53]
We must, however, recognize that the spiritual contribution of the
Homeric poems to later Greece was inevitably less than the artistic. No
inspired bard was needed to teach the lessons of man’s inferiority to
the gods and of his dependence on them, although these are constantly
emphasized; yet the epics also inculcate the necessity of moderation
in act and speech; and they teach that Zeus is the guardian of oaths
and of hospitality. Furthermore they express the half-realized belief
that Zeus is the protector of all justice; and they bring home the
fact that the individual must pay for his sin, however he may have
been led into it. But the greatest contribution which the poems made
to later religious thought was paradoxically due to the fact that they
made their gods so thoroughly human, for it inevitably followed in due
season that the gods were measured by the same standards of right and
wrong that were applied to men. This eventually ennobled man’s concept
of divinity, so that he required of the gods a perfection to match
their immortal nature.
Public-domain text, read in full here on John Shaqi.
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