The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.Hesiod
General
The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.
Hesiod
Heracles (Greek mythological character) -- Poetry; Hesiod -- Translations into English
Some mention Ctemene, or Clymene, on whose account Hesiod is said to have
been murdered, as the name of his wife: others call her Archiepe; and he
is supposed to have had by her a son named Stesichorus. In “The Works” is
this passage:
Then may not I, nor yet my son remain
In this our generation just in vain:
which, unless it be only a figure of speech, confirms the fact of his
having a son.
Pausanias describes a brazen statue of Hesiod in the forum of the
city Thespia, in Bœotia; another in the temple of Jupiter Olympicus,
at Olympia in Elis; and a third in the temple of the Muses, on Mount
Helicon, in a sitting posture, with a harp resting on his knees; a
circumstance which he rather formally criticises, on the ground that
Hesiod recited with the laurel-branch.
A brazen statue of Hesiod stood also in the baths of Zeuxippus, which
formed a part of old Byzantium, and retained the same title, an epithet
of Jupiter, under the Christian Emperors of Constantinople. (See Gibbon’s
Roman Empire, ii. 17; Dallaway’s Constantinople, p. 110.) Constantine
adorned the baths with statues, and for these Christodorus wrote
inscriptions. That on the statue of Hesiod is quoted by Fulvius Ursinus,
from the Greek Epigrams:
Midst mountain nymphs in brass th’ Ascræan stood,
Uttering the heaven-breathed song in his infuriate mood.
The collections of antiquities by Fulvius Ursinus, Gronovius, and
Bellorius exhibit a gem, a busto and a basso-relievo, together with
a truncated _herma_; which the ingenious artist who designed the
frontispiece to this edition has united with one of the heads. The
bust in the Pembroke collection differs from all these. In fact the
sculptures, whether of Hesiod or Homer, are only interesting as
antiquities of art; for the likenesses assigned to eminent poets by the
Grecian artists were mostly imaginary:[7] and must evidently have been so
in such ancient instances as these.
Greece, at an early period, seems to have possessed a spirit of just
legislation, which formed in the very bosom of polytheism a certain
code of practical religion: and from the semi-barbarous age of Orpheus,
down to the times of a Solon, a Plato, and a Pindar, Providence
continued to raise up moral instructors of mankind, in the persons of
bards, or legislators, or philosophers, who by their conceptions of
a righteous governor of the universe, and their maxims of social duty
and natural piety, counteracted the degrading influence of superstition
on the manners of the people: and sowed the germs of that domestic and
public virtue which so long upheld in power and prosperity the sister
communities of Greece. The same spirit pervades the writings of Hesiod.
Public-domain text, read in full here on John Shaqi.
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