The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.Hesiod
General
The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.
Hesiod
Heracles (Greek mythological character) -- Poetry; Hesiod -- Translations into English
The poem comprehends the general œconomy of industry and morals. In the
first division of the subject, the state of the world, past and present,
is described; for the purpose of exemplifying the condition of human
nature: which entails on man the necessity of exertion to preserve the
goods of life; and leaves him no alternative but honest industry or
unjust violence; of which the good and evil consequences are respectively
illustrated. TWO STRIFES are said to have been sent into the world, the
one promoting dissension, the other emulation. Perses is exhorted to
abjure the former and embrace the latter; and an apposite allusion is
made to the circumstance of his litigiously disputing the patrimonial
estate, of which, through the corruption of the judges, he obtained
the larger proportion. The judges are rebuked, and cheap contentment
is apostrophized as the true secret of happiness. Such is stated to
have been the original sense of mankind before the necessity of labour
existed. The origin of labour is deduced from the resentment of Jupiter
against Prometheus; which resentment led to the formation of PANDORA:
or WOMAN: who is described with her attributes, and is represented as
bringing with her into the world a casket of diseases. The degeneracy
of man is then traced through successive ages. The three first ages are
severally distinguished as the golden, the silver, and the brazen. The
fourth has no metallic distinction, but is described as the heroic age,
and as embracing the æra of the Trojan war. The fifth is styled the iron
age, and, according to the Poet, is that in which he lives. The general
corruption of mankind in this age is detailed, and Modesty and Justice
are represented taking their flight to heaven. A pointed allusion to
the corrupt administration of the laws, in his own particular instance,
is introduced in a fable, typical of oppression. Justice is described
as invisibly following those who violate her decrees with avenging
power, and as lamenting in their streets the wickedness of a corrupted
people. The temporal blessings of an upright nation are contrasted with
the temporal evils which a wicked nation draws down from an angry
Providence. Holy Dæmons are represented as hovering about the earth,
and keeping watch over the actions of men. Justice is again introduced,
carrying her complaints to the feet of Jupiter, and obtaining that the
crimes of rulers be visited on their people. A pathetic appeal is then
made to these rulers in their judicial capacity, urging them to renounce
injustice. After some further exhortations to virtue and industry, and
a number of unconnected precepts, the Poet enters on the GEORGICAL
part of his subject: which contains the prognostics of the seasons of
agricultural labour, and rules appertaining to wood-felling, carpentry,
ploughing, sowing, reaping, threshing, vine-dressing, and the vintage.
This division of the subject includes a description of winter and of
a repast in summer.
Public-domain text, read in full here on John Shaqi.
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