touch to maintain its connexion with the place from which it was
hewn.
And it is in this penetrative suggestion of life that the secret of
that sweetness of his is to be found. He gives us indeed no lovely
natural objects like Leonardo or Titian, but only the coldest, most
elementary shadowing of rock or tree; no lovely draperies and
comely gestures of life, but only the austere truths of human
nature; "simple persons"--as he replied in his rough way to the
querulous criticism of Julius the Second, that there was no gold
on the figures of the Sistine Chapel--"simple persons, who wore
no gold on their garments"; but he penetrates us with a feeling of
that power which we associate with all the warmth and fulness of
the world, the sense of which brings into one's thoughts a swarm
of birds and flowers and insects. The brooding spirit of life itself
is there; and the summer may burst out in a moment.
He was born in an interval of a rapid mid-night journey in March,
at a place in the neighbourhood of Arezzo, the thin, clear air of
which was then thought to be favourable to the [78] birth of
children of great parts. He came of a race of grave and dignified
men, who, claiming kinship with the family of Canossa, and
some colour of imperial blood in their veins, had, generation after
generation, received honourable employment under the
government of Florence. His mother, a girl of nineteen years, put
him out to nurse at a country house among the hills of Settignano,
where every other inhabitant is a worker in the marble quarries,
and the child early became familiar with that strange first stage in
the sculptor's art. To this succeeded the influence of the sweetest
and most placid master Florence had yet seen, Domenico
Ghirlandajo. At fifteen he was at work among the curiosities of
the garden of the Medici, copying and restoring antiques,
winning the condescending notice of the great Lorenzo. He knew
too how to excite strong hatreds; and it was at this time that in a
quarrel with a fellow-student he received a blow on the face
which deprived him for ever of the comeliness of outward form.
Public-domain text, read in full here on John Shaqi.
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