Justice -- Early works to 1800; Political science -- Early works to 1800; Utopias -- Early works to 1800
In the previous books Plato has described the ideal State; now he returns
to the perverted or declining forms, on which he had lightly touched at
the end of Book iv. These he describes in a succession of parallels
between the individuals and the States, tracing the origin of either in
the State or individual which has preceded them. He begins by asking the
point at which he digressed; and is thus led shortly to recapitulate the
substance {cxxvi} of the three former books, which also contain a parallel
of the philosopher and the State.
Of the first decline he gives no intelligible account; he would not have
liked to admit the most probable causes of the fall of his ideal State,
which to us would appear to be the impracticability of communism or the
natural antagonism of the ruling and subject classes. He throws a veil of
mystery over the origin of the decline, which he attributes to ignorance
of the law of population. Of this law the famous geometrical figure or
number is the expression. Like the ancients in general, he had no idea of
the gradual perfectibility of man or of the education of the human race.
His ideal was not to be attained in the course of ages, but was to spring
in full armour from the head of the legislator. When good laws had been
given, he thought only of the manner in which they were likely to be
corrupted, or of how they might be filled up in detail or restored in
accordance with their original spirit. He appears not to have reflected
upon the full meaning of his own words, 'In the brief space of human life,
nothing great can be accomplished' (x. 608 B); or again, as he afterwards
says in the Laws (iii. 676), 'Infinite time is the maker of cities.' The
order of constitutions which is adopted by him represents an order of
thought rather than a succession of time, and may be considered as the
first attempt to frame a philosophy of history.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account