The Republic of Ragusa: An Episode of the Turkish ConquestVillari, Luigi
History
The Republic of Ragusa: An Episode of the Turkish Conquest
Villari, Luigi
Dubrovnik (Croatia) -- History
A form of art which flourished exceedingly at Ragusa was goldsmith’s
work. The goldsmiths and silversmiths of Dalmatia were famous, and many
of the church treasuries in the country are very rich and splendid.
That of the cathedral of Ragusa is one of the finest, in spite of the
earthquake and the depredations of the freebooters after that calamity.
Its two most interesting pieces, however, are not by natives of Ragusa.
One is an enamelled casket enclosing the skull of St. Blaize. The
groundwork of copper is concealed by twenty-four plaques of metal, on
which enamel and filigree are laid; each of them, save four triangular
plaques on the top, contains a medallion with the head of a saint in
the centre, the name written in Lombardic letters. The surface not
covered by the plaques is filled in with the most delicate enamels
of flowers, fruit, leaves, pearls, insects, and scroll work. This
reliquary is said by Resti to have been brought to Ragusa in 1026, but
Graham Jackson proves it to belong to two widely different periods.
The medallions are Byzantine work of the eleventh or twelfth century,
whereas the intervening scrolls of flowers, &c., are of a much later
date, and, in fact, Jackson discovered the inscription in a corner of
the lower edge: “Fran^{co}. Ferro Venet^o. F. A. 1694.”[524]
Another treasure is the curious silver-gilt basin and ewer attributed
to Giovanni Progonović, a jeweller of the fifteenth century, but more
probably foreign work, as the plate mark—an N within a circle—is not
that of Ragusa.[525] The ewer contains imitations of bunches of dried
leaves and grasses in silver, and the basin is strewn with ferns and
leaves, in the midst of which creep lizards, eels, snakes, and other
animals, all wrought in silver, and enamelled and tinted so as to
deceive one into believing them real. It is an extraordinary piece of
work, but more strange than beautiful. It is probably not older than
the early seventeenth century. There are many other specimens of the
jeweller’s art in this collection, reliquaries, chalices, cups, &c.,
mostly by natives, and some of them very handsome.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account