Of the other buildings of this time there are some important remains, from which we may resume a fair idea of Ragusan architecture under the Venetians. Its characteristic note at all times is the fact that early forms were preserved here, as in other parts of Dalmatia, down to a much later date than in the rest of Europe. The style is a mixture of Italian with an Oriental touch, and occasionally, according to Mr. Jackson, even a German element. During the Venetian age traces of Byzantine art still survive, and in buildings of the fourteenth century, a time when Italian Gothic was most flourishing, we find the round arch of Romanesque art. But Ragusan builders did not follow any very distinct system. The various styles were no more than tapped by them. None were fully developed; and in every building, from whichever point of view we regard it, we find many deviations from strict orthodoxy. Some of the Ragusan architects and master-masons had been educated in Italy, others perhaps at Constantinople, but no part of their work shows an absolute grasp over any definite style. Nevertheless it is extremely interesting, and proves them by no means deficient in artistic sense. Many of the buildings of this little Republic are of great beauty, and the whole _ensemble_ of edifices compares favourably with many a more famous Italian town. The principal buildings erected or completed between 1200 and 1350 are the following: The cathedral church of Santa Maria (1206-1250), San Biagio (1348), the church and monastery of the Franciscans (begun 1319), the Dominican church and monastery (1254-1306), the _Castello_ (1350, on the site of an earlier building), and the _Sponza_ or custom house, begun early in the fourteenth century. The cathedral was destroyed by the earthquake of 1667, San Biagio by fire in 1706, the _Castello_ supplanted by another building in 1388. The Franciscan and Dominican churches were almost entirely rebuilt in later times, but of their monasteries much remains, and the cloisters are in their original state. The Sponza, too, survives, although the top story, the façade, and the portico were added subsequently. [Illustration: CAPITAL IN THE FRANCISCAN CLOISTER]