The Residuary Legatee; Or, The Posthumous Jest of the Late John AustinStimson, Frederic Jesup
General
The Residuary Legatee; Or, The Posthumous Jest of the Late John Austin
Stimson, Frederic Jesup
Inheritance and succession -- Fiction
Mrs. Eastman, who had started at the “my dear Mrs. Eastman” as if May
had offered to kiss her, admitted, ungraciously, that her husband’s
sister lived in Jamaica Plain. But the foreign valet was, evidently,
still in her mind; and, after sundry prognostications as to the
domestic evils to result from “that man’s” presence in the kitchen,
she finally removed herself, with some precipitation, only when May, in
desperation, began to take off his coat. Left to himself, May resumed
his coat, drew a chair to the window, sighed, and lit a cigarette. Mrs.
Eastman’s disappearance was followed by a distant shriek; and shortly
afterward there was a slight scratching at the door. May opened it,
and the St. Bernard dog walked gravely in and stretched himself by the
chair; a certain humorous expression about his square jowl indicating
that he had been the cause of the shriek in question. It was a bad
quarter of an hour for Mrs. Eastman’s nerves. Fides was the dog’s name,
and his master patted his head approvingly.
May sat down again, and his eye roamed over the stretch of green turf,
a view broken above by the huge arms of button-wood, and canopies of
English elm. Shortly afterward he saw the valet emerge from a side
entrance, and step hastily across the lawn into the shade of a great
hemlock, where he stood, gesticulating wildly. A minute or two later
Mrs. Eastman, in an Indian shawl and purple bonnet, appeared in
progress down the carriage-road, limply accompanied by her lord and
master. When she disappeared, with her husband and a red and roomy
carpet-bag, behind the avenue of elms, the sinuous oriental emerged
from the hemlock, and shook his fist. Silence supervened. The prospect
of peace emboldened May to light a large cigar. The valet returned to
the house, and no sound was audible but the chirping of the birds, the
rustle of leaves, and the dignified and heavy breathing of the hound of
St. Bernard.
II.
THE PAVILION BY THE LILIES.
As May was knocking off the last white ash from his cabaña, his servant
knocked softly, entered, and bowed. Rising, May, followed by the St.
Bernard, descended and entered the dining-room. Upon the walls were
six pictures, four of which were portraits of persons, and two of
indigestible fruit. The persons seemed to have been eating the fruit.
The portraits were all Copleys, and comprised, first, a gentleman in a
red coat and a bag-wig; second, a young lady with a sallow complexion
and a lilac satin dress cut so low that only a profusion of lace
concealed her deficiencies of figure; third, an elderly scholar with
long transparent fingers and sinister expression; fourth, a nice old
lady with a benignant grin. The eyes of the old lady beamed amiably
down upon the table, where lay a snowy cloth and a glorious breakfast,
consisting of a fish, a bird, a peach, and a pint of claret. The genius
who had wrought this miracle disappeared, and May was left undisturbed.
Public-domain text, read in full here on John Shaqi.
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