The Restless SexChambers, Robert W. (Robert William)
General
The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
"Well, the old wasp required fresh meat for its young, so, with her
sting, she annihilated the nerve controlling motion, laid her egg,
certain that her progeny would find perfectly fresh food when born. But
if she had thrust that sting of hers a little higher—at the juncture of
skull and thorax—death would have taken that spider like a stroke of
lightning."
He laughed:
"So I say it’s better to get the stroke of Fate in the neck than to get
it in any particular area and live for a while a paralyzed victim for
some creature ultimately to eat alive."
There was a silence. Helen broke it with pleasant decision:
"This is _not_ an appetizing conversation. If anybody wishes any the
tea is ready."
There was enough daylight left in the studio so the lamps remained
unlighted.
"Do you suppose we ought to go out somewhere?" asked Stephanie, "and
leave the place to those two poor things in there? You know they may be
too unhappy or too embarrassed to come out and run the gauntlet."
But Stephanie was wrong; for, as she ended, Belter appeared at the end
of the studio in the fading light. His young wife came slowly forward
beside him. The strain, the tension, the effort, all were visible, but
the girl held herself erect and the man fairly so.
There was tea for them—no easier way to mitigate their ordeal.
Conversation became carelessly general; strawberries and little cakes
were tasted; a cigarette or two lighted.
Then, after a while there chanced to fall a silence; and the young wife
knew that the moment belonged to her.
"I think," she said in a distinct but still little voice, "that we ought
to go home. If you are ready, Harry——"
*CHAPTER XXVIII*
By the end of the first week in June Cleland was in a highly excited
state of mind in regard to his infant novel, in which all the principals
were now on the edge of catastrophe.
"I don’t know how they got there," he said nervously to Badger Spink,
who had dropped in to suggest himself as illustrator in case any
magazine took the story for serial publication.
Spink’s clever, saturnine features remained noncommittal. If Cleland
turned out to be a coming man, he wished to participate and benefit; if
he proved a failure he desired to remain pleasantly aloof.
For the only thing in the world that interested Badger Spink was his own
success in life; and he had a horror of contaminating it by any
professional association with mediocrity or failure.
"What’s your story about?" he inquired with that bluntness that usually
passed for the disinterested frankness of good comradeship.
"Oh, it’s about a writer of stories," said Cleland, vaguely.
"He’s the hero?"
"If you’d call him that. What is a hero, Spink? I never saw one in real
life."
Spink squinted. It was his way of grinning.
Public-domain text, read in full here on John Shaqi.
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