The Restless SexChambers, Robert W. (Robert William)
General
The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
Here was the place and now was the time for self-expression, for
creative work, for the artistic interpretation of the life and manners
of his own people.
If he was to do anything, be anybody, attain distinction, count among
writers of his era, he knew that his effort lay here—here where he was
born and lived his youth to manhood—here where the tension of feverish
living never relaxed, where a young, high-mettled, high-strung nation
was clamouring and fretting and quarrelling and forging ahead, now
floundering aside after some will-o’-the-wisp, now scaling stupendous
moral heights, noisy, half-educated, half-civilized, suspicious,
flippant, bragging, sentimental, yet iron-hearted, generous and brave.
Here, on the nation’s eastern edge, where the shattering dissonance of
the iron city never ceased by day; where its vast, metallic vibration
left the night eternally unquiet and the very sky quivering with the
blows of sound under the stars’ incessant sparkle—here, after all, was
where he belonged. Here he must have his say. Here lay his destiny.
And, for the sake of all this which was his, and for no other reason,
was attainment and distinction worth his effort.
All this good and evil, all this abominable turmoil and futile discord,
all this relentless, untiring struggle deep in the dusty, twilight
cañons and steel towers with their thin skins of stone—all the passions
of these people, and their motives and their headlong strivings and
their creeds and sentiments, false or true or misguided—these things
were his to interpret, to understand, to employ.
For these people, and for their cities, for their ambitions, desires,
aspirations—for the vast nation of which they formed their local
fragment—only a native-born could be their interpreter, their eulogist,
their defender, their apologist, and their prophet. And for their
credit alone was there any reason for his life’s endeavour.
No cultured, suave product of generations of Europe’s cultivation could
handle these people and these themes convincingly and with the subtle
comprehension of authority. Rod and laurel, scalpel and palm should be
touched only by the hand of the native-born.
His pretty Countess had said to him once:
"Only what you have seen, what you have lived and seen others live; only
what you detect from the clear-minded, cool, emotionless analysis of
your own people, is worth the telling. Only this carries conviction.
And, when told with all the cunning simplicity and skill of an artist,
it carries with it that authority which leaves an impression indelible!
Go back to your own people—if you really have anything to write worth
reading."
Thinking of these things, he locked his door on rooms now more or less
in order, and went out into the street.
Public-domain text, read in full here on John Shaqi.
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