The Restless SexChambers, Robert W. (Robert William)
General
The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
It was too warm for an overcoat. A primrose sunset light filled the
street; the almost forgotten specific odour of New York invaded his
memory again—an odour entirely different from that of any other city.
For every city in the world has its own odour—not always a perfume.
Now, again, his heart was beating hard and fast at thought of seeing
Stephanie, and the same indefinable anger possessed him—not directed
entirely against anyone, but inclusive of himself, and her, and Grismer,
and his own helplessness and isolation.
The street she lived in was quiet. There seemed to be a number of
studios along the block. In a few minutes he saw the number he was
looking for.
Four brick dwelling houses had been made over into one with studios on
every floor—a rather pretty Colonial effect with green shutters, white
doorway, and iron fence painted white.
In the quaint vestibule with its classic fanlight and delicate
side-lights, he found her name on a letter box and pushed the electric
button. The street door swung open noiselessly.
On the ground floor, facing him on the right, he saw a door on which was
a copper plate bearing the names, "Miss Davis; Miss Quest." The door
opened as he touched the knocker; a young girl in stained sculptor’s
smock stood there regarding him inquiringly, a cigarette between her
pretty, clay-stained fingers.
"Miss——" he checked himself, reddening—"Mrs. Grismer, I mean?" he asked.
The girl laughed. She was brown-eyed, pink-cheeked, compactly and
beautifully moulded, and her poise and movement betrayed the elasticity
of superb health.
"She’s out just now. Will you come in and wait?"
He went in, aware of clay studies on revolving stands, academic studies
in unframed canvases, charcoal drawings from the nude, thumb-tacked to
the wall—the usual mess of dusty draperies, decrepit and nondescript
furniture, soiled rugs and cherished objects of art. A cloying smell of
plasticine pervaded the place. A large yellow cat, dozing on a sofa,
opened one golden eye a little way, then closed it indifferently.
The girl who had admitted him indicated a chair and stepped before a
revolving table on which was the roughly-modelled sketch of a horse and
rider.
She picked up a lump of waxy material, and, kneading it in one hand,
glanced absently at the sketch, then looked over her shoulder at Cleland
with a friendly, enquiring air:
"Miss Quest went out to see about her costume. I suppose she’ll be back
shortly."
"What costume?" he asked.
"Oh, didn’t you know? It’s for the Caricaturists’ Ball in aid of the
Artists’ Fund. It’s the Ball of the Gods—the great event of the season
and the last. Evidently you don’t live in New York."
"I haven’t, recently."
"I see. Will you have a cigarette?" She pointed at a box on a tea
tray; he thanked her and lighted one. As he continued to remain
standing, she asked him again to be seated, and he complied.
Public-domain text, read in full here on John Shaqi.
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