The Retreat from Mons: By one who shared in itCorbett-Smith, Arthur
History
The Retreat from Mons: By one who shared in it
Corbett-Smith, Arthur
World War, 1914-1918 -- Campaigns -- Western Front
Just about this time General Smith-Dorrien and a couple of his Staff
officers were following the fortunes of the battle from some rising
ground not far from the centre of the line. A sudden outburst of heavy
and incessant firing was heard from the direction of Cambrai, where, it
will be remembered, the enemy were trying to outflank us.
"Good heavens," cried the General, "the Germans have got round our
left!" And, jumping on to his horse, he galloped off towards the
firing.
To his astonishment and delight he found, as he drew near the flank,
that the firing came not from victorious Germans, but from some of our
French comrades.
Never was help more opportune; seldom can it have come in more dramatic
fashion. By all accounts General Sordêt with his cavalry should have
been sitting by the roadside, forty miles away on the British right,
tending his worn-out horses. Yet, at the call for help, by sheer grit
and determination he and his Corps had carried through that long forced
march (Heaven knows how the horses did it!), and swept up on our left
with his squadrons and horse artillery. Everyone knows what splendid
work the French gunners can do, and--well, this was one of their best
days.
It was a thrilling episode, and why, in common justice to our gallant
Allies, the details have not been published I do not know. You will
find General Smith-Dorrien's record and appreciation of the invaluable
help thus given by General Sordêt in the second Appendix at the end of
the book.
While such were the conditions about midday up with the front line, the
situation immediately in the rear was fast becoming indescribable in
its confusion and complexity. Looking back at it now, after the lapse
of so many months, it seemed very much like a theatrical performance
where a "front cloth" has been lowered to conceal from the audience a
strike of stage hands and the despair of the actors at setting the
stage and getting on with the play. Before the front cloth a special
"turn" is performing to gain time and appease the growing impatience of
the audience.
There was, for instance, a particular centre of cross-roads, nearly a
mile beyond where German shells were bursting. It was just outside a
large village, and the inhabitants were streaming out with their
belongings, yet uncertain whether there was actual danger or no.
Public-domain text, read in full here on John Shaqi.
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